by Guendalina D. M. Taietti One of the subjects we like to post about is how to integrate monsters and monster theory in to the classroom, whether secondary school or university level. See, for example, Anactoria Clarke’s “Teaching Ancient Monsters” (Sept. 2024), among others. For our December post, we’re pleased to bring you this wonderful… Read more Bringing Ancient Monsters into the Classroom: Card Games and Creativity
Today, for Halloween, we are simply presenting the most famous ghost story from classical antiquity: Pliny the Younger’s tale of a haunted house in Athens.
Forget the proud eagle or seated Britannia of modern coins; the Greeks carried monsters in their pockets! Among the most fearsome was the Chimaera, “a lion at the front, a snake at the back, and a she-goat in the middle,” who could “breathe forth the terrible might of blazing fire” (Homer, Iliad 6.181–182). What follows is an exploration of how the Chimaera appeared on coins in antiquity….
Has Open AI’s messy GPT-5 rollout gotten you down? Is xAI’s poor handling of Grok’s ‘MechaHitler’ comment giving you pause about chatbots? We’re pessimistic about the effect such AI models—a new type of monster?—will have on the future of humankind, but in the meantime, here’s some information about how the field of computer science has consistently drawn on monsters from classical myth.
Although a discussion of Einstein’s theories of relativity might be fun, we’re not exactly qualified to cover them—and might have difficulty tying them in with monsters, apart from “monstrous” (i.e., supermassive) black holes—our “monstrous relativity” instead involves the cultural relativity of what might be considered monstrous.
During a recent trip to NYC’s MoMA (Museum of Modern Art), I stumbled across a beautiful little piece of surrealist art by Leonora Carrington. The Surrealists often used imagery from Greek and other mythologies to express the fantastical and dreamlike aspects of the unconscious and irrational mind, and Carrington’s work is no exception.
Several congenital birth defects are named for mythological monsters. Today, we’re focusing on two specific genetic abnormalities, one named for the Sirens and another for the Cyclops.
For one of our first posts, we are very pleased to present this short story by scholar and fiction author Mercedes Aguirre Castro. The story, a modern re-working of a three-thousand-year-old tale, first appeared in its original Spanish as “La escena del crimen” in her edited book Tras las huellas de los mitos: voces femeninas… Read more “Crime Scene”, by Mercedes Aguirre Castro