Green Border – April 2nd

Film at 6:30pm – Wednesday, April 2nd
Room 137, Isenberg School of Management
UMass Amherst
Green Border
(2023, Agnieszka Holland, Poland & Belarus, 152 min, in English, Polish, Arabic & French w/ English subtitles)
In the treacherous and swampy forests that make up the so-called “green border” between Belarus and Poland, refugees from the Middle East and Africa trying to reach the European Union are trapped in a geopolitical crisis cynically engineered by Belarusian dictator Alexander Lukashenko. In an attempt to provoke Europe, refugees are lured to the border by propaganda promising easy passage to the EU. Finding themselves pawns in this hidden war, the lives of Julia, a newly minted activist who has given up her comfortable life, Jan, a young border guard, and a Syrian family intertwine. Thirty years after her Oscar-nominated film Europa Europa, Agnieszka Holland’s poignant and essential Green Border opens our eyes and speaks to the heart, challenging viewers to reflect on the moral choices that fall to ordinary people every day.
Film Screening
Wednesday, April 2nd
Free and open to the public
Introduced by Michael Kowalchuk (Comparative Literature PHD Student at UMass Amherst)
Co-Sponsored by:


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Michael Kowalchuk
Comparative Literature PHD Student at UMass Amherst

Michael Kowalchuk received his undergraduate degree in Architecture and English & Textual Studies from Syracuse University in 2014. Michael grew up in New Hampshire and worked at a boutique architecture firm in Portsmouth, NH, upon receiving his undergraduate degree. He is thrilled to return to New England after working as an architectural designer in New York City for the past three and a half years. Michael is especially interested in the political culture of the Left and its aesthetic and literary ramifications. Michael’s primary research topic centers on the ideological cross-pollination that occurred between French and Latin American Marxists during the 1960s and 1970s — particularly those who studied under Louis Althusser. Additional research interests include: the Comintern’s influence on American and French literary values during the 1920s and 1930s, queer life in the Socialist Bloc during the Cold War, and the radical identity politics of Derek Jarman’s films. Michael primarily employs feminist, queer and Marxist methodologies in his work. Leveraging his academic/professional background in architecture, he understands the interrelationship between visual culture, aesthetics, space and political power. Michael is a native English speaker and fluent in French, with a conversational knowledge of Spanish and Italian.
Trailer