‘flyting’

Next term we’ll be reading the classic Subculture: The Meaning of Style, which I always look forward to. It is fun to seek out the hidden sources of punk. I look forward to finding out more from this latest news tidbit: Ferenc Szasz posits a theory that rap is actually from the ancient Caledonian art of ‘flyting,’ carried over from Scottish slave owners. Having trouble finding out more…

things to watch in class

Building off of ‘Things to Read in Class,’ a very incomplete list (with a special shout out to Jessie Daniels, and her ‘Sociology through documentary’ wiki):

Wealth & Privilege: The American Ruling Class (2005, dir. Kirby), Born Rich (2006, dir. Johnson).

Race & Segregation: Big Easy to Big Empty, (2007, dir. Palast), When the Levees Broke (2006, dir. Lee), Trouble in the Water (2008, dirs. Deal & Lessin), Banished (2008, dir. Williams), Little Rock Central: 50 Years Later (2007, dirs. Renaud & Renaud)

Poverty: Secrets of Silicon Valley, Wal-Mart: The High Cost of Low Price, Maxed Out, Born into Brothels (2004, Briski & Kauffman), 30 Days: Minimum Wage (2005, dir. Spurlock)

Tourism: Cannibal Tours (1988, dir. O’Rourke)

Urban: The Philadelphia Story, The Social Life of Small Urban Spaces (1988, dir. Whyte), L.A. Is Burning (1993, dir. Mannes), Mission Hill and the Miracle of Boston, Blade Runner, Dislocation (2006, dir. Venkatesh), Flag Wars (2003, dir. Bryant & Poitras), Slacker (1991, dir. Linklater), The Brickyard (2008, dir. Scott), Hoop Dreams (1994, dir. James).

Global Issues: Favela Rising, (2005, dir. Zimbalist & Mochary), Life and Debt, Mardi Gras: Made in China, (2005, dir. Redmon), An Inconvenient Truth (2006, dir. Guggenheim).

Health Care: The Great Health Service Swindle, Sicko (2007, dir. Moore), Selling Sickness, The Business of Being Born, Medicating Kids (2001, dir. Gaviria), Titicut Follies (1967, dir. Wiseman).

Politics & Economics: The Corporation (2004, Achbar, Abbott & Bakhan), American Blackout, (2006, dir. Inaba), Can Mr. Smith Get to Washington Anymore? (2006, dir. Popper), Who Killed the Electric Car?, Enron: The Smartest Guys in the Room (2005, dir. Gibney)

Culture: Style Wars (1982, dir. Silver & Chalfant), Good Copy, Bad Copy (2007, dir. Johnson, Christensen, & Moltke), The Story of Stuff (2007, dir. Leonard)

Gender: Killing Us Softly (I, II, & III), Live Nude Girls Unite (2000, Query), All Different, All Equal, A Stranger in Her Own City (2007, dir. Al-Salami).

Immigration: Cash Flow Fever, The Other Side.

Education: Boys of Baraka (2006, dir. Ewing).

Food: Our Daily Bread (2005, dir. Geyrhalter).

Sexuality: Freeheld, For the Bible Tells Me So, (2007, dir. Karslake), Daddy & Papa (2002, dir. Symons), Gay Youth, Abstinence Comes to Albuquerque (2006, dir. Stuart), 30 Days: Straight Man in a Gay World (2005, dir. Spurlock).

Religion: Born Again (1987, dir. Ault), What Would Jesus Buy? (2007, dir. VanAlkemade), Jonestown: The Life & Death of the People’s Temple (2006, dir. Nelson), 30 Days: Muslims & America (2005, dir. Spurlock), Jesus Camp (2006, dir. Ewing & Grady), Hell House (2001, dir. Ratliff).

Presentation of Self: Darkon (2006, dir. Meyer).

Representation: Sans Soleil (1983, dir. Marker), Reassembladge (1983, dir. Min Ha), The True Meaning of Pictures (2002, dir. Baichwal).

Bureaucracy & War: Conspiracy (2001, dir. Pierson).

global examples of urban alchemy

Indian Sidewalk Barber

E.g., Ugandan Public Phone Booth on a BicycleWilliamsburg Hipster Solar Powered Power Charger Cart, Ugandan Charge Cart, Outdoor Barbers in India, Oaxaca Mobile Stores, London’s Hyde Park Speaker’s Corner, Kenyan Chalk Graffiti, Minnesotean Political Campaign Dolly, Chinese Street Retail, Joshua Callaghan’s infrastructure camouflage public art, Congolese Street Arcade, and (recent favorite) UK ‘Reverse Graffiti.’

Street Arcade
Street Arcade

while thinking about representation in ethnography…

…I often think of Borges’ Pierre Menard, Author of the Quixote. Manohla Dargis, in viewing Charlie Kaufman’s Synecdoche, New York, is reminded of Borges’ On Exactitude of Science. Here:

…In that Empire, the craft of Cartography attained such Perfection that the Map of a Single province covered the space of an entire City, and the Map of the Empire itself an entire Province. In the course of Time, these Extensive maps were found somehow wanting, and so the College of Cartographers evolved a Map of the Empire that was of the same Scale as the Empire and that coincided with it point for point. Less attentive to the Study of Cartography, succeeding Generations came to judge a map of such Magnitude cumbersome, and, not without Irreverence, they abandoned it to the Rigours of sun and Rain. In the western Deserts, tattered Fragments of the Map are still to be found, Sheltering an occasional Beast or beggar; in the whole Nation, no other relic is left of the Discipline of Geography.

From Travels of Praiseworthy Men ( 1658 ) by J. A. Suarez Miranda

Borges, J.L. 1999. Collected Fictions. Trans. A.H. Hurley. New York: Penguin.

underground

Haruki Murakami’s fiction is filled with dark sewers and tunnels, revelations and horrors. His nonfiction text, Underground: The Tokyo Gas Attack and the Japanese Psyche, is an amazing mosaic of urban life under strain. The sarin gas attack, in a fashion, is what Hitchcock called a ‘MacGuffin‘ (hat tip to Rich Lloyd on using Hitch as an explanitory device in his ethnographic work). The attack is the plot device through which the stories of urbanites lives collide. Which reminds me, I’ve been mesmerized by The Works, which offers up lush visual representations of data. Only some of it has been directly applicable to our urban sociology course in the fashion that Underground has.

ville invisible

Oh, the beginnings of the semester, and a hard drive meltdown (to the rescue: Time Capsule) have put a lull in ye ole blogging/posting. Very close to sending out some new work on the transformation of the urban public spaces, and found a translation of Bruno Latour’s Paris: Ville Invisible in both text (pdf), and in a flash/visual representation. Very exciting for me, since translating more than a few sections at a time was too prohibitive. It includes some of the best writing he’s done:

At a certain temperature Society no longer exists. It breaks down like bits of DNA that are heated slightly; it frays like them, becomes stringy. It is no longer a sphere next to other spheres, like grapefruits packed in a box, but a weird way of moving about, tracing figures, like unknown writing on rice paper painted with an  invisible brush (p. 11)

horoscopes, habitus, and clemens

I love using horoscopes the first day of class to talk about how we perceive the world around us. I run a variation of the Forer Demonstration. I use the exercise in conjunction with a story about two septuagenarian Finnish Twins (who die on the same day, on the same stretch of road, on bicycles, a few hours apart from each other) and the numerology of 9/11 to talk about the different frameworks we use to analyze the world, and how sociology is different. This year, I’m mulling over Gerd Gigerenzer’s new book, Gut Feelings: The Intelligence of the Unconscious, as a way to build up to the notion of habitus. (See Scientific American‘s take on horoscopes.) I like it, but it doesn’t address at all how people arrive at their ideas and opinions, something that is done so simply in one of my favorite essays, Twain’s Corn-Pone Opinions. He recalls a maxim he overheard by a slave preacher: “You tell me whar a man gits his corn pone, en I’ll tell you what his ‘pinions is.” (Corn-pone is another word for cornbread, but it was also used as a derogatory term for a kind of country bumpkin, adding a different layer to the essay.) Well, it’s a great essay to think through Mills’ Sociological Imagination. Twain (to the right, with the ghostly Nikola Tesla) writes:

The outside influences are always pouring in upon us, and we are always obeying their orders and accepting their verdicts. […] A man must and will have his own approval first of all, in each and every moment and circumstance of his life — even if he must repent of a self-approved act the moment after its commission, in order to get his self-approval again: but, speaking in general terms, a man’s self-approval in the large concerns of life has its source in the approval of the peoples about him, and not in a searching personal examination of the matter. Mohammedans are Mohammedans because they are born and reared among that sect, not because they have thought it out and can furnish sound reasons for being Mohammedans; we know why Catholics are Catholics; why Presbyterians are Presbyterians; why Baptists are Baptists; why Mormons are Mormons; why thieves are thieves; why monarchists are monarchists; why Republicans are Republicans and Democrats, Democrats. We know it is a matter of association and sympathy, not reasoning and examination; that hardly a man in the world has an opinion upon morals, politics, or religion which he got otherwise than through his associations and sympathies. Broadly speaking, there are none but corn-pone opinions. And broadly speaking, corn-pone stands for self-approval. Self-approval is acquired mainly from the approval of other people. The result is conformity.

Then, there is Proust’s In Search of Lost Time, in which he writes of habit (which is not directly habitus, yes, yes):

As a rule it is with our being reduced to a minimum that we live; most of our faculties lie dormant because they can rely upon Habit, which knows what there is to be done and has no need of their services.

gehry/brooklyn, housing in macro and micro

Nathan Glazer pens a book on a topic I wish I wrote on, and Charles Taylor writes the response I wish I had written (ditto for Jonathan Lethem’s Slate piece, in which he calls it a ‘trojan horse’). Gehry’s monster project will shape beloved Brooklyn in a way that no other project has since the Navy Yard. Speaking of buildings, I had a great time a few weeks ago at MoMAs Home Delivery exhibit. It touched my fond architectural memories, and got me excited about teaching Urban Sociology later this week (only later in the semester will we be talking about temporary spaces and cultures).

“ts’i mahnu” @ floating cities

Taking a break from camping this weekend, I got to check out the Calvino-worthy performance of Swoon‘s ‘Swimming Cities of the Switchback Sea‘ at the DIA Beacon last night. I’ve been committed to a lot of unconventional city readings this summer (on top of the aforementioned The Ghost Map and Underground, also Salonica, City of Ghosts: Christians, Muslims and Jews, 1430-1950).

Swoon is at the top of the graffitti world (not just ‘female graffitti artists), and has done a similar project down the Mississippi. This trip is a more modest storytelling exbidition down the Hudson river. The hour-long performance is a series of monologues loosely tied together by pantomime and music (by Dark Dark Dark). These experiments on ‘loose communal life,’ are decidedly reflexive about it. 60-odd performers participate on seven ramshackle ships (The ‘Seven Sisters’–ahem):

The boats use recycled motors, one from a 1968 Mercedes, another from a Volkswagen Rabbit (itself recycled from “Miss Rockaway”). One uses a gasifier, which burns organic waste materials.

Of the seven shipbound monologists who provide their overlapping and conflicting tales of the origins of the flotilla, one, ‘David,’ is a sociologist who stumbled onto the ‘docks that were disconnected from the waters edge.’ He talks about the crew as a form of civilization, and how the waters will soon be the world’s last open space. Expectedly the crews all playfully boo him for his scholarly analysis. But obviously, this was where my mind was wandering anyway. It reminded me of the alterative cart/homes for the homeless proposed by Duneier and Neil Smith, and the roaming Tent Cities of the American South and Northwest.

[youtube=http://www.youtube.com/watch?v=CnnOOo6tRs8]

mad men

I know that I’m not the first person to gush about Mad Men, but I was given the first season on dvd for my birthday and the first episode impresses from alpha to omega. Not only is there great display of 50s gender politics, but the cultural production zeitgeist is in full swing as well. One of the best ad stories of the time–if not of all time–is glanced upon: the transformation of the ‘Nazi Car to Love Bug,’ or how a Jewish ad executive, William Bernbach, helped to re-industrialize Germany. (I used Thomas Frank’s book, The Conquest of Cool, in my culture class. It details this well, and with less smoking.)