Author Archives: jdrooney

Developing My Digital Literacy

When I signed up for this class I had no idea what to expect. I decided to enroll because I wanted to take an English class that was not literature-based. Although I did think that the class would require us to interact more with technology, I enjoyed learning about new media and the impacts of technology from an academic standpoint.

In the beginning of the semester we discussed our broad opinions about new media. I remember referring to new media, specifically the internet, as a faceless equal playing field where race and gender do not matter. Throughout the course of the semester, I realized that I was misguided in my original interpretation of new media.

Contrary to my initial view, we learned that often new media perpetuates racism and the objectification and degradation of women. In class we discussed racist memes which, due to the ease with which they can be copied, rapidly spread and thus widely and quickly promote their racist message.

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We also discussed how video games degrade women through hypersexualization while also over-representing white men by almost exclusively portraying white males as heroes. While in these two instances new media popularizes negative stereotypes and creates new negative stereotypes about women and about different races, new media also offers a place for misrepresented and underrepresented groups to express themselves. We learned about how web series offer a place for these misrepresented and underrepresented groups to create shows that focus on the specific problems that their groups face unrestrained by the tenants of traditional network television.

In addition to learning about race and gender in new media, we also discussed how Google and Youtube dictate our searches and thus dictate both our knowledge and who grows popular on the internet. I used to view YouTube and Google as places where anyone could have their blog discovered or could post a video and grow famous. Now I realize that YouTube and Google are, at their core, businesses, and, that advertisers rather than users exist as YouTube’s and Google’s customers. Because advertisers are Google’s and YouTube’s customers – YouTube promotes videos and Google promotes websites based on which websites or videos receive the most views, or based on who pays for promotion. While I appreciate the existence of Google and Youtube as free services, I recognize that the validity of information or the quality of content is not Youtube’s or Google’s first concern when yielding search results.

Overall, this course taught me to recognize the importance of digital literacy and to develop my own digital literacy. While the internet does offer a place for anyone to have a voice, the business-minded nature of websites that control our searches, namely Google and YouTube, makes some content difficult to discover. In addition, I learned that it is important to recognize that while the internet gives misrepresented and underrepresented groups a place to express themselves, it also promotes racism and degradation and objectification of women by idolizing white men and by perpetuating negative race and gender stereotypes.

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Here’s a trailer for the film “Miss Representation” which outlines many of the themes we discussed this semester:

 

[youtube]https://www.youtube.com/watch?v=W2UZZV3xU6Q[/youtube]

 

 

YouTube: A Musical Playground

I use YouTube mainly as a platform for exploring music. Whether I want to watch a newly released music video, an obscure live performance, or an amazing cover – YouTube has what I’m looking for.

I have always been fascinated by live musical performances and I love that YouTube offers a way for me to easily access essentially any live performance that has been recorded. On my “Top 15 Playlist” I’ve included several of my favorite live performances ranging from private sessions (Alt-J NPR Music Tiny Desk Concert) to intimate festival performances (Edward Sharpe and the Magnetic Zeros Fire+Water Live at Barton Springs Pool) to large stadium shows (Elias from DISPATCH: ZIMBABWE Live at MSG). By granting me access to recordings of these performances, YouTube allows me to explore and experience the work of my favorite artists uninhibited by what mainstream media chooses to publicize.

In addition to watching live musical performances by my favorite artists, I also love watching YouTube users cover my favorite songs. I think one of the most amazing things about YouTube is that it offers musicians a free forum through which they can share their talents. While most YouTube users who post covers remain within the realm of YouTube, some musicians find outside fame and success through their YouTube channels.

Guitarist Sungha Jung who grew popular though YouTube has now released several albums and performs with world famous musicians. I’ve included his cover of the Beatle’s “Come Together” on my “Top 15 Playlist.”

Here, he preforms “I’m Yours” with Jason Mraz.

 

[youtube]http://www.youtube.com/watch?v=MycEFlLDOkY[/youtube]

 

The few YouTube musicians who do escape the YouTube realm act both as an inspiration to other YouTube musicians and as a testament to YouTube’s power of providing musicians the opportunity to reach a world-wide audience from their bedrooms.

Personally, YouTube has given me a space where I can post my own musical covers and receive feedback on these covers from friends and family. As someone who fears singing in public, I have found YouTube particularly helpful because it offers a way for me to share my covers without actually having to preform in front of a live audience.

Since I don’t have many views, I’m going to shamelessly use this blog post to promote myself and my cover of Death Cab for Cutie’s “I Will Follow You Into the Dark.” You don’t have to listen but I’d appreciate if you would!

 

[youtube]http://www.youtube.com/watch?v=1I4w2yxNFwg[/youtube]

 

While I spend most of my time on YouTube exploring music, I also use YouTube to work-out. Since I can’t always find Pilates classes that fit with my schedule, I use Cassey Ho’s “Blogilates” videos as part of my exercise regime. Instead of buying an instructional Pilates DVD with a limited number of work-out routines, YouTube gives Cassey Ho the ability to regularly post new videos which provides me constant free access to new work-out routines.

Aside from its practical uses, I am a huge fan of feel-good viral videos like “Where the Hell is Matt,” “The Sneezing Baby Panda,” and “Christian the Lion” all of which I’ve included on my “Top 15 Playlist.”

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Check out my Top 15 Playlist on YouTube Here

 

[youtube]http://www.youtube.com/playlist?list=PLPD9AcnQMIDHEfvRPGwdFibxxmu7cEzaO[/youtube]

 

 

 

Crisis Memes

In his article “Crisis Memes,” Sean Rintel defines a crisis meme as something (usually a “ghoulish” image, video, gif, or twitter hash-tag) that arises simultaneously with “serious journalistic reportage” to satirize an event such as a natural disaster, a terrorist attack, or a political feud. According to Rintel, producers of crisis memes fall into three categories; people concerned with “displays of good citizenship,” “political critique,” or “social activism and advocacy.” Although crisis memes often contain shocking content, Rintel suggests that the power of crisis memes exists not in their content, but rather in their ability to act as a “public voice” unconstrained by the regulations of “traditional media.”

Below is a crisis meme showing “Strutting Leo” in the midst of a tsunami.

dicaprio-meme-tsunami

Image: http://www.eldesblogue.com/mis-memes-favoritos-strutting-leo.html/dicaprio-meme-tsunami

 

Rintel, Sean.  ”Crisis Memes: The Importance of Templatability to Internet Culture and Freedom of Expression.” Australasian Journal of Popular Culture 2 (2). <http://www.intellectbooks.co.uk/journals/view-Journal,id=202/>