Zayn’s Bibliography

Anonymous. “Hot List.” Out, July 2010.

Belton, Don. “A separate reality.” The Advocate, September 16, 1997.

Brickell, Chris. “Sexuality and the Dimensions of Power.” Sexuality & Culture 13, no. 2 (June 2009): 57–74. doi:http://dx.doi.org.silk.library.umass.edu/10.1007/s12119-008-9042-x.

Clay, Andreana. “‘Like an Old Soul Record’: Black Feminism, Queer Sexuality, and the Hip-Hop Generation.” Meridians: Feminism, Race, Transnationalism Meridians: Feminism, Race, Transnationalism 8, no. 1 (2008): 53–73.

Eguchi, Shinsuke. “Cross-National Identity Transformation: Becoming a Gay ‘Asian-American’ Man.” Sexuality & Culture 15, no. 1 (March 2011): 19–40. doi:http://dx.doi.org.silk.library.umass.edu/10.1007/s12119-010-9080-z.

Engelbrecht, Penelope J. “Strange Company: Uncovering the Queer Anthology.” NWSA Journal 7, no. 1 (April 1, 1995): 72–90. doi:10.2307/4316379.

Halberstam, Judith. “Imagined Violence/Queer Violence: Representation, Rage, and Resistance.” Social Text no. 37 (December 1, 1993): 187–201. doi:10.2307/466268.

Hill, Marc Lamont. “Scared Straight: Hip-Hop, Outing, and the Pedagogy of Queerness.” Review of Education, Pedagogy & Cultural Studies 31, no. 1 (2009).

Horowitz, Katie R. “The Trouble with ‘Queerness’: Drag and the Making of Two Cultures.” Signs 38, no. 2 (January 1, 2013): 303–326. doi:10.1086/667199.

Hubbs, Nadine. “‘I Will Survive’: Musical Mappings of Queer Social Space in a Disco Anthem.” Popular Music 26, no. 2 (May 1, 2007): 231–244. doi:10.2307/4500315.

Isoke, Zenzele. “Black Feminist Voices in Politics by Evelyn M. SimienFrom Black Power to Hip Hop: Racism, Nationalism, and Feminism by Patricia Hill Collins.” Signs 32, no. 3 (March 1, 2007): 820–824. doi:10.1086/510340.

Makulowich, Gail S. “HIV and STD Prevention Update.” AIDS Patient Care and STDs 12, no. 1 (January 1998): 71–73. doi:10.1089/apc.1998.12.71.

Maplet, Joseph Kutty. “Oreo Cookies and Banjee Boys.” Trikone Magazine, October 31, 1998.

McCune, Jeffrey Q. Jr. “Out in the Club: The Down Low, Hip-Hop, and the Architexture of Black Masculinity.” Text and Performance Quarterly 28, no. 3 (2008): 298–314.

Murdza, Therese. “Opposite Sex: Gay Men on Lesbians, Lesbians on Gay Men.” Lambda Book Report, July 1998.

Paradigm Smalls, Shanté. “‘The Rain Comes Down’: Jean Grae and Hip Hop Heteronormativity.” American Behavioral Scientist 55, no. 1 (2011): 86–95.

Penney J. “We don’t wear tight clothes: Gay panic and queer style in contemporary hip hop.” Pop. Music Soc. Popular Music and Society 35, no. 3 (2012): 321–332.

PINCHEON, BILL STANFORD. “BLACK AND QUEER VISUAL CULTURE: An Annotated Filmography and Reference Guide.” The Moving Image: The Journal of the Association of Moving Image Archivists 1, no. 1 (April 1, 2001): 151–197. doi:10.2307/41167046.

Regehr, Kaitlyn. “The Rise of Recreational Burlesque: Bumping and Grinding Towards Empowerment.” Sexuality & Culture 16, no. 2 (June 2012): 134–157. doi:http://dx.doi.org.silk.library.umass.edu/10.1007/s12119-011-9113-2.

Villarejo, Amy. “Tarrying with the Normative QUEER THEORY AND BLACK HISTORY.” Social Text 23, no. 3–4 84–85 (September 21, 2005): 69–84. doi:10.1215/01642472-23-3-4_84-85-69.

Weinstein, Steve. “Barrio Boys.” New York Blade 5, no. 50 (January 30, 2004): 34–34.

Wilson, D. Mark. “Post-Pomo Hip-Hop Homos: Hip-Hop Art, Gay Rappers, and Social Change.” Social Justice 34, no. 1 (107) (January 1, 2007): 117–140. doi:10.2307/29768425.

Wilson, Michael. “`Making space, pushing time’: A Sudanese hip-hop group and their wardrobe-recording studio.” International Journal of Cultural Studies 15, no. 1 (2012): 47–64.

Wright, Les. “Introduction to ‘Queer’ Masculinities.” Men and Masculinities 7, no. 3 (January 1, 2005): 243–247. doi:10.1177/1097184X04271883.