The paintings in this exhibition started out as, what LaPrade Seuthe calls, clean slates. Beginning with discarded maps, she carefully color matches the hues in the existing maps and applies these opaque paint mixtures to eradicate names, symbols and other location identifiers. Once the clean slate has been established, she adds drawings of images culled from encyclopedias, dictionaries, travel guides and assorted manuals. The images are separated by layers of grid lines – a device suggesting there is a connection between all that exists in the natural world. Translucent layers of paint are built up in a process that unifies the surface while modifying the imagery in various ways. Some images become obscured while others become more pronounced. For her, this process seems to parallel an internal process of creating a clean slate or starting over. Some experiences remain vivid in our minds and can easily be recalled, while others exist as vestiges. Her painting is complete when connections between seemingly random images are revealed.
Since her first solo show in 1994, Massachusetts-born LaPrade Seuthe has participated in numerous group exhibitions including most recently the London Biennale, and the Zendai Museum of Modern Art in Shanghai. She is Director of Hampden and Central Galleries at the University of Massachusetts. More Information