Categories
Poetry Spring 2021 Edition Writing

A Victim’s Lost Cry

As dead as the sky
The wind blows wildly
And won’t let me go
I swirl and dive
Scratching the soil
I spiral and twist
I flutter and fly
As my heart grows steady
The wind then drops me
I fall to the ground
My life flashing before my eyes
Sputtering to my death
I close my eyes and hug my chest
I keep my legs firm and straight
As I plummet down to the ground
All hope is lost
Fear replaces my pride
I begin to wither away
Free as a bird
Chained like a dog
I repeat life’s horrid circle
My heart is cracked
Wide enough for the world to see
All my pain and all my misery
Who would have thought
That your words could sting
Striking me down
To the ground
Onto my deathbed
Is where I’m heading now
You were my friend
Or so I thought

But you played me like I was some puppet
You pulled the strings
You tied to my back
Manipulating
My every step
My every move
Your motivation
Caused me my stress

I look for help but you just yank me down

I try to hide
But with no success
I plan to die

-Alexandra Molloy, ’21

Categories
Photography Spring 2021 Edition Visual Art

Frost

-Olivia Douhan, ’22

Categories
Poetry Spring 2021 Edition Writing

Live from Puerto Escondido

Live from Puerto Escondido 1/21/21 @21hrs

Travis inspired me with his song about strange ass. That song does fuck, if y’all missed it I’m sorry. I write haiku, this is a string of haiku about nudes. If you like any of this feel free to send some my way. I’m single and also egalitarian so ladies shoot your shot.

Through ones and zeros
A divine apparition
Illuminated

By eons old rock
Pink hue strikes Aphrodite
She is enveloped

A glimpse of her form
Hot damp mist of the shower
Clinging to her chest

Ethereal corpse
The vessel with which you move
Within and without

Consider this too
The mirrors soft gaze
And your own brown eyes

Curious about
His approachable darkness
She does not tremble

delicate being
A graceful calla Lilly
Laid in my presence

Okay this ones kinda fucked up, but I’m happy with it how it turned out. Essentially I watched a person get hit by traffic and decided to cope in a productive and ultimately funny way. If you’re a grammar nerd like me you’ll love this.

That there, is a man
Who’s come to terms with being
And all that entails

Those are his entrails
He walked right into the street
And unbe’d himself

Okay wow. How about we break this morbidity up with some more half humor half real talk. This ones about a dream I had. It gets explicit and is mildly bestial so be prepared.

Take me now; Dream whale
I’ll ride you through the cosmos
Undress my conscious

Erotic dreamwhale
Lingerie made of black holes
And galactic lace

My deepest desire
Familiar longing, haunting
My mind while I sleep

Reverent orca
We fall into each other
And we become one

You and I are we
And we escape to depths
Infinitely deep

Journey of the mind
And knowing you are within
I wake and begin

Alright in the interest of keeping it short and engaging this will be my last one. Thank you for indulging me!

This first true spring day
That moon tho; she be gleamin’
She a gleamy ho

Like the greatest bling
Gleamin’ o’er yon orchard hill
Witness her, my dude.

Watch her pass to day
The gleamy ho that she be
Gaze on our crowns, moon

Next set 1/28

Hey wow wow wow hello everybody I’m super glad to be here. Mega props everybody let’s hear it for Travis who does this out of his own edification and the goodness in his heart let’s hear it come on guys. What a pure soul, buy his book and tip the bar staff, these mojitos are fire am I right?

My name is Daniel. I’m an artist and I work in a bunch of different mediums, my favorite verbal medium is the haiku which is really short, just three lines of 5,7 and 5 syllables.

This is a very meta poem, okay if anybody’s ever been to a Michelin starred restaurant or a chef’s tasting, they’ll usually start you off with a little bite called an amuse bouche which literally translates to joyful or amused mouth. So this is to get you ready for the rest of the menu ok here it is.

You don’t like sweet things
Personally, I love them
You are very sweet

Thank you.

Ok this one I’m gonna need a beat. Travis can I get something like this

*rapping now*

Donde esta la bibliotheca?
Me llamo Daniel y me gusta zicatela
Tela, tella I’m a hell of a fella
Soy estudiante and my grades are stellar

Quando, nosotros, jugamos baloncesta
I score the game point, but I’m not here to impress ya.

Okay that’s enough of that, I’m gonna switch gears here and read you some haiku that I wrote. If you notice your stockings are wet right now or you can’t stop quivering all of a sudden that is perfectly normal. And you should buy me a mojito afterwards.

This is one I wrote about a french woman that I was seeing and very inspired by. She may come here to Mexico, I may lure her here with my poems. The 14 year old theater nerd inside of me is like “yeah poetry is great, words get me blowjobs”

lol what a nerd. Anyways here’s a sexy one for this extra attractive audience.

The air is heavy
And the moon slowly waxes
A foggy August eve

Amidst the clouds
I lap ‘round my neighborhood
My mind is heavy

Entomb me in your
Graceful femininity
Drown me in your thighs

I wander around
Beneath the celestial
Starlit canopy

caressing my face
The breeze whispers Marianne
And my knees buckle

Okay this is where a nice smooth transition would happen if I had one. Unfortunately I just haven’t written one so I have to work with this. *drink very slowly* yeah I should really write something to go here.

No obviously I’m joking, i would never come onstage without having scripted my transitions already so I don’t look like I’ve never done this.

This poem is about my afternoon trying to find mezcal at Mercado Benito Juarez. I’ve been here two weeks and assumed they sell mezcal everywhere however they don’t at Benito Juarez… unless you know who to ask.

Wandering around
La Mercado in centro
We see a man smile

Standing before us
Behind his abundant wares
We stop to ask him

Where is the mezcal?
An unmarked 5 liter jug
Is pulled from below

He pours a sample
Smooth vibrant complexity
“How much for the jug?”

We broker a deal
And buy grapefruit, orange, mint
He asks for our names

Me llamo Daniel
I stare him dead in the eyes
Me gusta perros

Im gonna leave you guys with really warm feelings, this poem was written in November in Western Massachusetts. It’s beautiful out there and the seasons change was toward the later end of autumn. I wrote this when the wind was blowing and I walked alone across the huge campus.

The weather grows cold
Too cold for wildflowers
Too cold for most things

Not too cold for love
Sheltered from the elements
In comfy sweaters

Nourished by hot cocoa
And cherished muffled laughter
And warm sentiments

Thanks you guys I love being here.

Set three Feb 4th

Hi guys can you hear me? Snap your fingers if you can hear me? Okay welcome everybody, like Travis said I’m gonna perform some haiku. If you need a little refresher on what that is I gotchu.

Haiku is a three line poem that has 5 syllables in the first line, 7 in the second and 5 again in the third. Anybody can do them, I like to write them when I’m waiting in line for anything instead of touching my phone for the thousandth time that day. They are a nice way to stay present.

And also I like to string them together to capture a more involved moment. You can also write jokes I just discovered after like 19 years of writing them.

Recently at lunch
My friend Ricardo asked me
you like fried pork skin?

It’s not for me man
I said, but to each their own
Yeah man chicharron

Thank you. So there you have it, very simple, they usually feature nature in some way which I find romantic. I think there’s an inherent romantic quality in the natural world. The way a wave crashes or a fire moves or smoke dissipates. So this haiku follows that theme.

Across the campfire
A roiling red inferno
You blow me a kiss

Your dark glassy eyes
Harboring eons of night
You uncross your legs

I grin my white teeth
The flames lick the palm above
And a soft wind lilts

You shrug your shoulders
your sundress slides soundlessly
Formless on the sand

I unwrap my robe
We laugh and sprint joyously
Into the black surf

Thank you. Before I came here I never performed my works but now I’m starting to love it because I get a reaction and an energy from the audience. One of you just gave me one of these *closes eyes and tilts head back while fanning my face with my hand* and it’s either because you were in that last one with me or you’re tired I can’t tell but either way I felt a tingle up my spine and I fucking love it.

Anyways last semester in the fall I was one of the very few students on campus at UMass amherst and there’s not much to do in a global pandemic so one of my roommates started to fold paper cranes as stress relief. Well I wanted to see if they floated like a real crane might, so I plopped one in a glass of water thinking if it were a real crane this is what it would want! Right? So… this is what happened.

Crane floats in water
Made of paper it dissolves
Fates cruel humor laughs

Transcending its form
Unfolding in nirvana
It ceases to be

How funny it is
That which we desire most
Is our undoing

Thank you, yes there we have it folks. By the way if you like my poetry I will gladly trade you for a mojito. Yes that’s right you could walk out of here with your very own Daniel Keating original so come hangout I’m very approachable and I crave external validation haha.

So as a writer one of my responsibilities is to carry on the great tradition of wandering aimlessly in introspective thought and last time I was here and a woman’s gaze snapped me out of that for a second and this one is to her, wherever she is.

Can I sit with you?
Will you tell me I’m pretty
Will you grab my hand?

Can we share a look?
Can I wrap my arms round you
And say I’m smitten

Are you here tonight
Have you felt like me before?
Do you feel it now?

I’d like to meet you
To start something beautiful
Do you like poems?

This is my final haiku it’s very short. I wrote this before I moved to manhattan and pursued my career in fashion. So here it is:

Reoccurring dream
That I move to the city
And model all day


Pet chameleon
Tells me to eat more pasta
True that dream lizard.

Thank you guys I love being here.

Set 4 Feb/18/2020

What’s up lovers? I said what’s up lovers? May the blessings of the infinite be upon you. And upon us all am I right? Anybody feeling particularly fertile tonight? I know I am.

I came here tonight to bathe in your energy and perform some haiku like Travis said. Haiku is a type of poem, they’re very short only 3 lines. The first line has 5 syllables, the second has 7, the last line has five. Like this

A dismal mizzle
Drizzling abysmally;
Haggard and grizzl’d

I wrote that one about the rain. I tend to write about nature, most haiku features it in some way and so rain and the moon seems to pop up frequently for me. But you can really write them about anything, this one is about walking through a peach orchard in the winter time.

Sun lights the orchard
Reflects off the snowy ground
Onto the peach buds

Thank you. Okay those were just warm ups, I prefer to string haiku together to tell a more whole picture of a moment or thought like this. The other night I was looking up at the moon and was really loving it so I thought what if the stars were men and women who were lured by the moons beckoning.

I wake in the night
To your familiar bare back
Your dark unlit hair

sitting up restless
I walk toward the veranda
Cool tile underfoot


Through the precipice
Beneath arcane tapestry
I soliloquize


The gilded moonlight
Unspoken umbral lover
The ancient orb calls


Velvet canopy
A great harem in the sky
Helpless, I ascend


Wait! My love! You cry
Your hand lassos my ankle
Balanced on the rail


Silver siren foiled
The sky will not gain a star
You are my tether

-Daniel “don’t try this at home kids” Keating jr., ’22

Categories
Photography Spring 2021 Edition Visual Art

UMass Ducks

-Olivia Douhan, ’22

Categories
Poetry Spring 2021 Edition Writing

Maplewood

stretchy pants and a black and white striped crop top, cinched
always comfort over fashion, monochromatic over bold

i catch a glimpse of my face in the mirror
i chopped my hair off, something like, eight inches
something like, the third step of a breakup
the fourth is probably vodka and a sweaty basement

i remove the royal blue, 99 cent ice pack from my broken toe and,
fearing nothing, shove my feet into brand new Doc Martin’s
collecting my hair back into a low bun, we walk out the front door

i skip down the cracked, concrete sidewalk yelling catch up! and
if i miss any of Northwest Fox’s set, i swear, y’all won’t live to see the light of day!
there’s silence, my boot scuffs the sidewalk as i turn to walk backwards
cars fly by, headlights casting strobe-like shadows on ryan
his mouth cupped with both hands how’s the toe?!

it’s always the same from the road, a seemingly normal, shitty college house
but when we walk through the front door into the garage
bulb string lights line the wooden walls and lead us to the basement
vibrations from amps and voices creep up the staircase plummeting into my chest

we run down the steep cement stairs, met with an expanding and shrinking crowd
they move as one, as if music is the lateral line, a sixth sense
attached by strings and chords, all things brassy and filled with reverb i’m sucked in
and swallowed whole into a mass of faces i’ve never known, yet, somehow, have never felt closer to

we curve through the crowd, weaving our way toward the heart
of the house, toward the voice, the bass
where the blue and red show lights glow and exchange
our sorrows for euphoria

my body takes charge, reacting to the sounds in ways I never would’ve thought of
elbows brush up against my arms and i grab someone’s hand
he spins me around to meet his gaze i like your shoes

we dance like we know each other, like
we lived, breathed and bled these footsteps long ago
when all things organic and natural would melt into place,
back into the earth, like we planned on it

when the music’s over, we flood out from all crevices of the house, like ants
sitting in the driveway on the cold cement, i look up at the stars and they stretch
and bend together like someone took an hour long exposure of the night sky
and just left it there, projected into the universe, for us all to admire
i close my eyes i think his name was cam

-Catherine Buckley

Categories
Prose Spring 2021 Edition Uncategorized Writing

The Sun’s Soft Today

A cursory look at my surroundings shows that I’m waiting for a train. I’m alone, I think. Someone sits nearby, but I can’t really tell if they’re real. Light permeates the ground around me and everything speaks in soft gold tones. Leaves litter the ground. Train tracks seem to go on forever in every direction, off into the golden red forest. Little stones lie between the wooden and metal bars. Not really sure what to do with myself, I started throwing them. One hits a tree with a nice thunk. 

Something about this place feels weird. I feel it rise in my chest and spread out through my arms. Time lazily walks forward and plays in the leaves. I have nothing to do but wait for my train. An hour passes. Two. The sun seems to stay in its place. Maybe I’ve gone to the wrong train station? What does the train station even look like? I realize I’m sitting on a cold metal bench. It sits in front of a little glass closet. It’s old. Aren’t these kinds of buildings interesting? They’re not really meant to be the destination. You just pass though. Something to consider on your way home from work or school. The ground’s hard and cracked, and plants are growing through the floor. The walls are scratched and buffeted from the time it’s spent here. Maybe when the train comes, I could just not get on. Maybe I could just sit here and grow old in this room, until the plants grow through me. Until the sunlight finds me and warms my bitter skin. A man made of stone, watching others live, water flowing like time between my fingers as the seasons pass through my chest, plants growing and dying where my feet used to be. Maybe then I could just stay here for a little bit longer before the train arrives. Sadly, time continues its languid march forward. I can hear the train coming.

The train’s small, I can walk it’s length in a few large steps. I’m sitting on one end staring at the other. Light filters through the windows and dance on the floor, as if the golden sun itself were melting. As if gold were slowly filling the train car and staining every surface it can find. It’s warm. Someone gets on the train and sits next to me. 

“Where are you heading?” they ask. I’m not really sure. Wherever the train goes, I guess. How about you? 

“I’m going home.” And where’s that? 

“Wherever the train stops.” 

I look at the person sitting next to me. They have warm eyes and nice hands, and I decide that I like them. The sun sets and the air turns blue to purple. I can’t really see much anymore. The windows are like holes in the darkness of the train, and I can see the sky in all its infinite blue. It’s nice, just sitting here. 

“Why did you get on the train?” They ask. “You could have just stayed outside.” I thought about it for a second, and I said I was practicing a certain degree of freedom that’s allowed. 

“What do you mean?” 

Well, when do we actually get to choose what happens? Like, the major life decisions? The things our parents do, the school we go to. Where and when we live. The teachers we have when we’re young, whether our parents are nice or mean. It’s all kinda random, don’t you think? “Yes, it can feel that way sometimes.” 

Sometimes it may feel like we don’t actually have control over who we are or who we get to be. But we need those restrictions to actually be something. So, in the end, how much freedom do we actually get?

“Well, I could have chosen to not go to work this morning. I could have lied, and called in sick. Or I could have had a different kind of coffee. Free will doesn’t have to be your free will, does it? As long as you can distinguish yourself from other people, then you know your actions are yours, even if those actions aren’t necessarily entirely your own. It’s all still you.” 

I responded, yeah, I guess you’re right. But sometimes the dread just creeps in a little too far, and you need some room to move. And the only freedom people can’t take from you is the decision to be known. Sure, I love my friends and family, but when people know you they take liberty over who you are, to some extent. It’s almost out of your control how others think about you. That’s just inevitably who you are around them. So when you take the time to be alone, then the only person you have to worry about is you. If you just let yourself be free for a second, then it doesn’t matter who you are. All that matters is that you can breathe and think without being anyone. No one has to know my name or the things I’ve done. That’s the freedom I’m taking, to be alone with myself and let myself get lost. Who knows where this train is going? It’s better if I don’t know. 

The sun set and left us in darkness. Small lights came on under the seats, and softly illuminated my face blue and white. Without the sun, I have nothing to look at but my reflection in the window opposite to me. The lights left much to the imagination, I could really only see the consequences of my facial features but nothing that particularly looked like me. I couldn’t see the eyes, just the big wells where they should be. Every so often the lights of some far off building would cut through my blank expression. The lights go out. The sound of the train gets quieter as we come to a stop. 

“Well, I hope you find what you’re looking for. Have a good night.” 

“You too,” I say back. “Thank you for the conversation.”

I briefly considered getting off the train with them, to walk them home and be somewhere else. Or I could just keep going, and wait for the train to kick me off. But the doors never close and no one comes to get me. I look to the front and notice that there’s no driver. The train wasn’t gonna move. How long has it been? Five minutes? Ten? Is this the end of the track? Tentatively, I take a step out. The night air greets me softly and the moon looks gracefully upon the earth. Light snowfall’s starting to cover the ground. The bench I sat on earlier’s starting to pile up with snow. The building’s still intact, a little more scratched and a little more broken but still standing. I walk inside and greet myself sitting in the corner, vines growing through my cracked smile. Good to see you. He looks up with life in those stoney eyes and greets me. 

I touch his hands and fall through the cracks in his gaze.

-Nathan Balk King, ’23

Categories
Poetry Spring 2021 Edition Writing

‘Blue Sky in the Midnight, 2015’ by Artist Yayoi Kusama

Wading 

Through a sea of gushing moss and glitter algae 
Sticking to luscious goosepimple skin freshly wetted 
Flesh dumped out into an ocean of touchy frothy bead 
Churning together as little bits of microscopic self 
Float within a muddled aquarium of opalescent eyelid screens 

I Am Waiting 

Infinity starts in the Eczema of an unknown skylight 
Bumping on the flesh of dark matter left shadowed from abjugation 
It relishes in the anonymity that is bred with a brushing fingertip 
The jealous copulation of an anemone’s polyp flow 
That is a corporeal stretch towards some point-zero horizon. 

Walking 

Away from any sort of starlight knowing 
From the earthly constitutions of mind-over-matter-over-self 
Humanity needn’t understand the mysteries that lie beyond Phobos 
They Needn’t Worry 
For the nothing-nowhere liberation that comes with aquamarine 

Is Space Dust, 

Still left undiscovered 
And to You 
Still fresh with the possibility 
That comes with the lustful prospect 
Of an Eternity painted Blue.

-Jorge Biaggi, ’23

Categories
Art Spring 2021 Edition Visual Art

Braids

-Freya Johnsen, ’23

Categories
Poetry Spring 2021 Edition Writing

Silk and Vines

silk and vines mold into his frame
flirt with skin and pointy elbows,
scratch ankles, tangle laces

look him in the eyes, tired wrinkles, gloss
his bare shoulder shows
a tattoo on young, stretchy canvas
touch it and it would bounce back

soft and patient sleep

his eyelids droop
while delicate traces of our Mother
recollect him

-Catherine Buckley

Categories
Art Spring 2021 Edition Visual Art

Cabin in the Woods

-Anastasia Helen Santoso, ’23

Categories
Poetry Spring 2021 Edition Writing

Sand Spirals

rainbow umbrellas, 
cheap folding beach chairs, 
and bright red, plastic coolers 
scatter and mark territories 

waves crash, the water 
thins and stretches out, 
shrinking back into itself, pulling sand, pebbles and tiny white seashells in with it 

the sand, a damp tan 
where the saltwater made its mark, revealing the power of the moon 
from earlier that day 

salty air tangles my hair 
while I sit on top 
of my faded green “Life is Good” towel raking the sand through my fingers forming circular grooves around me 

hypnotized — I look down 
at the multiple spirals I’ve made 
and wonder 
what song I would’ve created 
if the earth were vinyl 
and I were its needle

-Catherine Buckley

Categories
Poetry Spring 2021 Edition Writing

Boxed Bones

Toss me in the tumult
Let me bleed without pain

I want no cozy cavern
Packed away safe and still

Let mourners come to a beaten rock
Let apparitions tickle the horizon
Let wet eyes wonder

Send my atoms headlong into the gyre
Fold me back into the soup

Let the crabs have their fill
I will taste through their tongues
Breathe in the brine

Let a hot August sky suck me up 
and a cool September pour me out

Let me rest without place
decay without trace

-Sophia Larson, ’23

Categories
Photography Spring 2021 Edition Visual Art

An Echo of Trees

-Samantha Liu, ’21

Categories
Spring 2021 Edition Writing

Online vs. Offline in the Time of COVID-19

Due to COVID-19, time spent online now plays a role in our lives like never before. Not only has time spent online increased, but the activities done online have diversified. This sudden change in online time creates an interesting cultural and attitude shift from how society used to perceive the value of screen time. Clearly, being online has a different meaning in today’s society that it did even a year ago. 

When COVID-19 hit, the changes that came with it were intense and swift. Suddenly everything from restaurants to school were closed. Even outdoor summer activities were cancelled. Just how nothing was normal anymore, socialization wasn’t either. Face to face communication was no longer a reliable form of socialization. Actually, we couldn’t rely on anything outside the house to keep us entertained. What were we supposed to do? 

Zoom. Zooms soon become a staple in our lives. Zoom can be used to chat, play games, or even watch movies. In a time where there was no way to go out to do these activities, Zoom became everyone’s best friend. Zoom isn’t just used for socialization in COVID times. It also becomes a way to go to school and learn, as well as a way to safely work from home, while still being able to speak with coworkers. It became the way for a therapist to connect to her patient, or for a personal trainer to reach their client. In just under a year, our whole world shifted from in person to virtual. For a lot of people, there is no other alternative. There is quite literally no in person or face to face socialization that could be done. So is our time still being wasted if we spend it online?

No, it isn’t. But before truly considering this question, it is important to think about the ideals that surrounded online time pre COVID, specifically the shaming that went along with time online and the pride that came with time spent offline. 

For almost as long as the internet has been around, people have felt that time spent online is wasteful. Many parents for example, would much rather see their children play outside with friends rather than spend time playing video games. As those children get older, their parents would much rather them go to a football game with a group of friends instead of updating their instagram feeds. As one of those now grown children, this has created feelings of disappointment in myself when I spend lots of time online. This self judgement is something that I have seen many of my friends struggle with too, even occasionally having periods of detox where they delete an app, only to re-download it a few days later. 

To show how innate this bias against time spent online is, think about the following example; a teacher asks her students about what they did over the weekend. One girl says that she went to a street carnival with all her friends and spent hours walking along the booths of games, food, and prizes. The teacher and class react enthusiastically, asking questions about her favorite ride, and overall thinking it was a worthy way for this student to spend her time. Another student then shares about how he spent nearly all of his time on his computer, playing video games. The reactions of others are not nearly as positive, as his peers and teacher write off this use of time as not of any substance. The girl who shared about the fair might even think herself better for spending hours outside with her friends, not a device in sight. What the class doesn’t know is that he did do something worthwhile. He was speaking and socializing with his online friends. Perhaps the male student doesn’t have lots of friends at school, so online is his opportunity to socialize with others. There is no difference in how much enjoyment or

excitement was gotten from either the male or female student’s experiences, there is only a difference in how that time and activity is treated. 

Considering this example and the shame that was projected onto the male student, but the praise that the female student received, I recognize a real issue in how we perceive online time as a society. Inherently, there is nothing about putting your phone away for a few hours and doing something face to face that automatically makes you a better or enlightened person. I think we can all agree with this. Then why is there such feelings of superiority or pride that come from not using our devices? There really shouldn’t be. I would say it’s unfair to shame people for online use, as, like it is for the male student, it might be their only opportunity to spend time with others. Now, we are all in the same boat as the male student because of COVID-19. 

So back to my original question; in our COVID age, is our time online still a waste? Again, no. People are now no longer shamed for using their computers all day. Student’s spend up to 7 hours a day with their teachers, and adults might spend even more due to work. Society no longer views this computer time as wasteful, but instead necessary to keep the gears moving in this weird time. Many parents who once before scolded their children for spending all their time on the computer are allowing, and maybe even encouraging online socialization. Now more than ever, we need to be online to survive, and for once, this is culturally acceptable. The lines between online and real life no longer exist, showing this very rapid shift in how we view online time. 

As time goes on and we are hopefully soon able to leave COVID in our past, it will be interesting to see how online time plays a role in our lives after COVID. Will people be given the option to work from home, calling into work on zooms? Will groups of friends still all get together and watch a movie on zoom? How will we perceive this use of time? Who knows how

society will value time spent online, as if COVID has proven anything, it’s that things can change in the blink of an eye.

-Sophie Eisenthal, ’24

Categories
Photography Spring 2021 Edition Uncategorized Visual Art

Afternoon Glow

-Olivia Douhan, ’22

Categories
Poetry Spring 2021 Edition Uncategorized Writing

La Balada Ruidosa de Santa Cecilia

Listen.

Breathe, and listen.

¡WEPA!

A passion beat, the battery of a drum-roll and the blaring of a trumpet.
Loud, deep, in the valleys below, the holiest choir of music, people’s music,

Blasting from the open windows of a bouncing Boricuan car.

The rumble is a Beat,
That familiar rhythm of pulsating drums and screaming synths.
It is an ode to freedom and volume, bombastic sound and shaking car speakers.
The quick scratches of a vinyl and the loud tongues of roaring rap lyrics,
Speak like horns of Fire,
Engulfing-

With heart, they tell stories of home and of hustle,
Of people and of person,
Of loneliness and of loving.
With the roaring echoes of pride, and passionate power,
Their own anthems yell “TÚ ERES GUASA, GUASA!” or “CUÉNTALE!”

These,
Are Victory Chants,
Battle Hymns,
Tradition,
and,

Algo.

Though some ears, they turn.
And many will scream back in agitation,
They are simply fearful of the sound of freedom ringing.
Afraid of the power,
Afraid of the difference,
Afraid of the meaning,

Of an island born LOVE of vibration.

But, The Fearful, they’ve forgotten something.
Forgotten el sentido that these rhythms bring,
And, sadly, never realize,
That lives worth leading do often bother each other.

So Listen.

Stand! And LISTEN!

To what exactly these massive Hymnals mean to Me.

I was born in the land of grapevine and olive oil, the fragrance of nobility not an unfamiliar.
I was raised into a life of power, prestige, and beauty, but I chose the path of sack cloth for faith.
This humility frightened my parents, who had me married off, but in my own piety I prayed,
I prayed to prove my husband a person of civility, his body christened by my own request.
He was enlightened, and remained honorable, and in sheer adulation of our devotions,


I sang.
Our wedding ceremony was one of riches, clanging chalices and overflowing drink,
But, in the midst of festivity,
In the heart of sheer warmth and intimacy,
I heard it.

First it was the timbre of a voice, rich and clear,
Singing the sweet praise of a blue sky above and a brown earth below.

Then came the shrill ring of a symphony of string,
Carrying bold plucks and waves of awe-inspiring, lushous, vibration.

Soon after, cacophony! Rumbling drums and uproarious percussion,
Inspiring the bodies and souls of the reception to jump, leap, and gyrate.

By then, the temperature had risen, and it was plain to all that this adulation, this Worship,

Was something different.

It was shameless, liberated, violent, and free.
It held volume, sweaty passion and vocal significance.
It was sound, symphony, and praise fried into one.
Loud, filthy, and fun rhythms of lifeblood and self, it was, in essence,

Divine.

No more did holiness need to be confided to the realm of silence and servitude.
No more did shame and punishment need to accompany those who sang their praises aloud.
Since this moment, this Music, was far greater prayer than any twisted mystic could grant,
And, to me, this revelation meant something (or to you, my children, Algo).

I think of this something as I hear the love and glory that pours out of an open car window,
Sweet pounds and pulses of electronic warbles and a bass-kick beat filling the air with presence.
I think of this something as I see the lone guitarist string their solitude into a humid night’s sky,
Poems of loss and adoration leaving their lips in a downpour, their sincerity a sign of clarity.
I think of this something as I witness the foundation of a casa shake, quake, and crack,
The pounding of a thousand eager feet, the vocal unity of a hundred rising voices, just too much,
Too Holy,
For the mortal bindings of an Earth dangerously appreciative of silence.

Now,
Why is that?
I ask you each,
As a Martyr.
And nothing more.

-Jorge Biaggi, ’23

Categories
Photography Spring 2021 Edition Visual Art

Baby Pine Cone

-Olivia Douhan, ’22

Categories
Prose Spring 2021 Edition Uncategorized Writing

The Other One

The coffee shop was busy this time of day. Too busy. The morning sunlight glinted off the bronzed wood of the sign above the doors, silhouetting the patrons seated at the tables within. The lone android paused with his slender, plastic-grafted hand poised to push open the door.

For several moments, he didn’t know why he had stopped. Perhaps it was a malfunction in his arm? He’d taken care to troubleshoot his joints before making the walk down the riverside market, so nothing should be amiss. Yet there he stood, frozen in place, in time, like a fly caught in amber.

“They clearly aren’t closed…” muttered a man to his right. The android craned his neck to observe the couple glancing oddly between the crowded shop and him. Furrowed brows…frowns…dissatisfied expressions! He was clearly doing something wrong.

The android forced his static arm forward, shoving open the door with perhaps more force than necessary and letting himself inside. The array of sensations startled him—the bell tinkling daintily above his head, indicating to all his arrival; the distinct aroma of coffee beans and wafting vanilla from behind the countertop; the undulating waves of human conversation blending into a hopeless muddle against his sensors.

The lone cashier barely glanced up at him, too busy writing down the next customer’s order in the long line before him. Lest his joints froze a second time, he hurried to a window booth just recently vacated by a mother and her squealing toddler. As he sat, fingering a small cookie crumb, he both glanced at the dusty wall clock and checked the timer he’d set in his internal computer.

Five minutes. He would have arrived sooner had the marketplace not been so crowded. It was a mistake not to anticipate the popularity of human interactions on Saturdays and Sundays. Yet it was the only day he could arrange to meet with—

“Welcome to The Grind! Cup ‘a coffee, or something exciting?”

The android risked a glance at the waitress. Chewing on the tip of her pen, half her attention was fixed on the notepad already dark with ink scribbles. He kept his eyes trained on the pen, just in case she happened to glance up at him.

Don’t look them in the eyes. His extensive research leading up to this day had warned him of this. The emotions writ within eyes was a telltale sign of humanity. Only a second’s gaze would reveal the glint of machinery behind his own.

The waitress sighed. “Listen, mister. You see the line? If you’re still deciding…”

The android jolted back to attention. Right, she had asked a question. What to consume? He quickly surveyed the other patrons of the café. A woman sitting at one of the round tables, jotting down notes with a latte stationed beside her hand…the man in the business suit at the booth just past his own, shouting into a flat phone while handling a small, clear glass of what could only be alluring espresso…the bedraggled young man on one of the stools, typing away furiously on his laptop while sipping a black, heavy drink—coffee. Now there was the Golden Fleece of drinks, the worshipped treasure that had so claimed the hearts of innocent passerby. It was the drink no one would question, certainly not his visitors.

He spoke the magic word, like a prayer in the breeze. “Coffee.”

The waitress didn’t even look up. She made a little scribble on her notepad and went to greet the newest set of customers.

Now, all that was left was to wait. The android awkwardly folded his hands together on the table, the gesture awkward compared to the humans busying themselves with their phones while waiting for their own drinks. He had no need of a phone—not when his motherboard could access the Internet as easily as a human clicking on an application. And, well…it wasn’t like he had anyone to speak to, anyway.

But that might change, he reminded himself, his circuits sending zaps of electric excitement throughout his body. It was the reason why he had stationed himself in this coffee shop in the first place: crowded, yet commonplace, normal. The perfect place for a group of human friends to meet and engage in conversation and camaraderie.

The android had successfully managed to infiltrate a small pod of humans. Or, perhaps infiltrate wasn’t the correct term. Too militaristic. Oh, if he messed it up when the others were actually here—

The bell atop the door jingled as three college-age customers swept in on the edges of a conversation, the morning breeze skittering discarded napkins at their feet. The android took one glance at them and thought his joints would freeze again. It was time to see if all his research paid off.

He forced his arm to move, extending it in a standard greeting to get their attention. The three of them—two boys, one girl—jostled one another as they made for the booth, tucking themselves into the worn leather seats with an ease of familiarity.

“Got here right on time, huh?” Markos nudged the android’s metal side. His eyes widened; he proceeded to dig his elbow deeper. “Wow, you’ve got some abs. You work out?”

The boy across from him, Adrian, rolled his eyes behind his glasses. “Stop making him feel weird.”

Quicker than the android expected, the waitress appeared once more at the foot of the table. Her eyes brimmed with excitement—old friends, he guessed. “Welcome back, gang! Usual drinks?”

The trio mumbled their affirmations, but not without warmth. As the boys struck up a debate on the ethics of pointing out if one has “worked out”, the android’s vision strayed to the girl. Her name was Cara, and her fingers were fiddling with something on the table, a bit of machinery that she dismantled and reconstituted, over and over. Her skin was pale against her freckles; she spent little time in sunlight, despite the warm embrace of summer just outside.

That is something we have in common, the android mused.

“…your name again?”

He turned to see Markos looking at him sheepishly. The android had not recorded the ongoing conversation; he had no idea of the context. Markos took the weighed pause as an answer and blushed. “Sorry. I suck at names. And we only met you the once…”

Adrian, as if it was his cue, rolled his eyes a second time. “It’s Capar, right? Pretty unforgettable name, if you ask me.”

“Capar! Right, right…weird name. That Greek or something? Reminds me of capers, the food. You know?”

“That doesn’t make you sound clever, you know.” Adrian smirked.

Capar. CaPAr—Conscious Processor Android—was his technical name, with a few extra English letters thrown in to make it sound more human. But he didn’t care for the conversation. Something had locked his gaze on Cara’s deft fingers, screwing and unscrewing the bolt of her little machine, moving almost unconsciously.

“Pipin’ hot!” In the span of a breath, the tray-brandishing waitress efficiently deposited their drinks down before them, nary a ripple disturbing the surface of each. Adrian smacked his lips at the sight of his mocha, Markos throwing his hands up in excitement as he cheered his cappuccino. The android’s own coffee sat expressionless and steaming, a black mirror. And for Cara…

An elegant cup of herbal tea. 

“Tea?” the android blurted out. The choice had betrayed his expectations; surely, someone with such unconscious energy would be turn more toward a drink with high levels of caffeine. But silence fell in the moments his outburst as Cara’s gaze slowly lifted up, her fingers ceasing their rhythmic dance. Fool. The stranger he acted, the more they would suspect something off about him, and the more likely it was that he would ruin any chance of being normal.

Cara took the moment in stride, owning it in a way he could never achieve. “What’s wrong with tea? Too delicate for you?”

His internal fan whirred rapidly. Own the moment. “Your energy level…does not correlate with your drink.”

Another pause. Markos leaned on his arm, sipping his own drink while observing him. “You know, there’s something about you I can’t quite put my finger on…something mechanical.”

The android’s computer whirred in panic. In the blink of a second, he calculated all negative outcomes to this scenario, all centered around the possibility of discovery. They would abandon him. Word would spread, and he would lack human companions, allies, in a world like this…

There were too many outcomes. He was overloading on the near-infinite gestures, expressions, words, that could shift the tide of opinion. Humans and their complexities; how did they survive one another?

Yet, as he picked through his options, he noticed that Cara was staring at him in a way that wrested all attention, with what he realized was intentDon’t look them in the eyes, that was the golden rule, but Cara’s gaze was as strong as a directive.

He saw it, then. The glint in her pupils—that subtle gleam of a mainframe. The way the sunlight caught her skin, as if it was more plastic than flesh. And the small smile at her lips, almost calculated—indicative of one who has studied and mastered the art of human expression.

Finally, her fingers, once more taking up the rhythm of assembling and dismantling. The movement was almost automatic—mechanic.

“Come on, Markos,” Cara said smoothly. “It’s not like he’s some kind of robot.”

Markos scoffed, blushing. “Well, duh. But that would be sick.”

“…Sick?” the android questioned.

“He means it would be cool.” Adrian crossed his arms. “You sure you’re not a robot? Everyone knows that.”

Not hip doesn’t equal robot.” Markos threw an arm around the android’s shoulders. “But if he is a robot, maybe he can help me with calculus homework.”

“I don’t think anyone can help you with calculus homework.”

“Try me.” The android spoke with ease, without thinking. Cara shared a secretive smile with him.

Markos howled with laughter. “The robot’s got some competition in him, huh? We’ll hit up the park after this. Maybe someone can finally beat Adrian’s smarts.”

Adrian tossed back a bit of his hair. “I doubt that.” But the android saw eagerness flush in his expression.

They drained their drinks quickly; the android managed to consume all of his coffee (though he couldn’t taste an ounce of it), and the other android did the same, sipping her tea with practiced ease. Once they had finished, they stood from the booth, leaving bits of currency tucked beneath their cups for the waitress to pick up. As Markos and Adrian bickered on their way to the door, the android paused before Cara. An expression of gratitude was in order.

“You have my thanks,” he said. He was still practicing his genuine inflection, but words were words.

Cara slipped her mechanical toy into her pocket, pausing to tuck the strap of her purse around her shoulder. She shook her head, but it was not without a soft grin. “Oh, little brother. You still have a lot to learn.”

-Meera Ramakrishnan, ’22

Categories
Art Spring 2021 Edition Visual Art

Self Portrait, Age 8

-Ben Bonifacio, ’22

Categories
Poetry Spring 2021 Edition Writing

Notes Left on Wooden Bunk Beds

Thick Louisiana air smacks my skin and says
honey, time moves so slow here even the river strolls.
And so I roll up my sleeves to welcome the mud,
not knowing that we were already old friends.

We ride through New Orleans neighborhoods in the back of pick-up trucks
while we pass by homes without walls and dogs without collars.
In some houses, all that’s left is the plumbing, a singular bathroom sink.
We try to keep our balance going over bumps,
avoiding dumpsters and piles of bricks, branches, drywall, and siding.
The bed of the truck creaks under our weight.
A maroon Chevy lays stuck between cement and a loblolly pine.

I look out from the balcony decorated with beach chairs and familiar faces
while an orange hue seeps through the street lights and into the night sky.
In the morning I hammer nails into wood into blue tarps into roofs.
The vibrations shudder up my arm but
we cannot have leaking leaving brown splotches that cost too much.
In turn for our work that feels less like work and more like faith
we receive bags of salty chips and slow, southern thank you’s.

And so I read notes left on wooden bunk beds telling me
about how a city can change a person,
about how we must trust the process and timing of life,
about how moments and places like these
will show you some sort of something,
whatever it is that you may be looking for,
but I don’t write mine.

I don’t write mine until the ceiling cracks from the weight of my ancestors.
I don’t write mine until the light shining in from my window fades to a static grey.
I don’t write mine until I’m home again with a roof and walls and it does not feel like a home.

Time moves much quicker here.

-Catherine Buckley

Categories
Photography Spring 2021 Edition Visual Art

The Eye

-Samantha Liu, ’21

Categories
Poetry Spring 2021 Edition Uncategorized Writing

Not My Decision

not my decision.

not yet.

thief, knight of night.
he steals
those i don’t know,
personally.

toying with me.
circling.
seething death.
his has roamed around

my life.

he will decide.
no one knows 
what he looks like.
reaper, shrouded in darkness.

i’ll never know.
and if i did?
i would never tell you.
that’s not my—

-Sydney Burke, ’23

Categories
Photography Spring 2021 Edition Visual Art

Duck

-Olivia Douhan, ’22

Categories
Poetry Spring 2021 Edition Writing

Trujillo Alto, Puerto Rico

There-
The soft green-gray misting of a tropical backyard.

The cement floors, old construction, wooden, sheet metal tool hut and,
Rain… softly.

Pleasant cascade, a blanket of refreshment,
The place of home on the isle.

I walk out,
Flip-flops, small splashes,
No shirt, just shorts, warm-water-falling,
5-minutes shower, carribean typical.

The Sun, not hiding, not shy, just behind the foggy,

for a moment
The house behind me is tall, on stilts, we are on a mountain, surrounded by palm tree, vine, and
lush.
Steep incline, but vegetation abound, peaks in the distance,
The whiff of brown dirt, and fallen coconut,
Moistened palm branch, and rounded guanábana,
Cracked soda, indoor steam,

It’s family here.

Concrete, wood doors, metal bars on windows,
Rails, colored cement, cool tile floor, air conditioning, heat, but not dry, and
Soft couches, never silky, they don’t need to be smooth, they’re kind.

-Jorge Biaggi, ’23

Categories
Photography Spring 2021 Edition Visual Art

Icy Rain

-Olivia Douhan, ’22

Categories
Prose Spring 2021 Edition Writing

A Question for the Wall

He sat across a portrait painted from glass. He had spent the day debating whether he could justify a trip to the museum just down the street. Before he ever felt a decision was made, he found himself in this small, derelict room. The motions are always a blur. Steps on concrete, a cold press of hand to metal, an exchange of cash. Perhaps a school was visiting that day. Maybe tourists were visiting, he supposed. He couldn’t really remember, and found it hard to justify his current position. The truth is, he never actually wanted to go to the museum that day. But sometimes the walls of your house become too much to handle. Sometimes the couch just swallows you a bit too deeply, and the walls just seem to cover up some impossible truth. So you have to take the initiative to leave and find something to occupy your melting thoughts. Even if leaving is unbearable, the sun bites a bit too harshly or the light offends your eyes, anything’s better than letting the doghouse tangle you in. 

Those were the sort of thoughts he used to explain this sluggish vacation. The museum’s interesting, he thought. It has all sorts of varying and interesting things to consider, he thought. What he doesn’t know, or maybe what he doesn’t want to recognize, is that art doesn’t mean anything if you don’t let it in. After about an hour of staring at nothing, thinking nothing, he found himself sitting across a portrait painted from glass. It was in a small side room, in a hallway separated from all the main exhibits. The portrait was of a man he didn’t know, but he briefly considered what that man must be feeling. Would he hate me? Would he like me? What would I say to him if I saw him in public? The portrait’s glassy eyes stared back, they stared straight into him as if to say, 

“you already know the answer.”

He suddenly felt uncomfortable, and decided to leave. He decided that that was enough time spent at the museum, he should go home. No, I can’t go back home, he said aloud, I shouldn’t. I’ll go somewhere else. I’ll walk into town. And do what? Spend money you don’t have? Sit around for an hour? It’s always nice just walking, don’t you think? There’s nothing wrong with that. 

So that’s what he decided to do. The only problem being, since he pretty much drifted around with his mind drowning in a fugue state for a few hours, he had no idea where he was, and had no idea how to get out of the museum. Everything looked unfamiliar and foreign. Streets with no names and buildings that stared back in words he didn’t understand like postmodernism, impressionism and expressionism. Sure, when someone says it you pretend to know what they mean, but you never actually cared enough to look into it. Paintings tend to know when you’re lying. 

Finally. The exit. He heard the entire room whispering to each other about him, and he wondered what he did to deserve the ridicule. His mind went blank, and the walls closed in again. 

Did he go on that walk into town? Who knows, certainly not him. He just found himself at his desk, thinking about how tired he was getting. Did he receive a message from one of his friends? Did he eat? Did he do anything? Does he do anything?

-Nathan Balk King, ’23

Categories
Poetry Spring 2021 Edition Writing

Roman Aqueduct at Pont du Gard, France

-Anastasia Helen Santoso, ’23

Categories
Poetry Spring 2021 Edition Writing

Beach Rose

Rings in my bones
Orange in my lungs

I once had spongey, sea green flesh

I pissed in the sand,
Goaded the waves, 
Battled the tide,
content that I would lose. 

On a Sunday, the ocean came knocking
with imported skys
and electric sea foam

I answered. 

Knowing I would only be choked while my lungs had air
and cold until my hot blood chased it away

I grew gnarled in surrender.
Gnarled. 
With pink flowers and calloused buds. 

I have no more use for my salt hardened skin
Or my knotted bones

Rings in my bones
Orange in my lungs

I once had spongey, sea green flesh

I pissed in the sand,
Goaded the waves, 
Battled the tide,
content that I would lose. 

On a Sunday, the ocean came knocking
with imported skys
and electric sea foam

I answered. 

Knowing I would only be choked while my lungs had air
and cold until my hot blood chased it away

-Sophia Larson, ’23

Categories
Photography Spring 2021 Edition Visual Art

Purple

-Olivia Douhan, ’22

Categories
Poetry Spring 2021 Edition Writing

Hierarchy of Dreams

I had a dream 

I was Taylor Swift’s best girl, riding the wave of normalcy, living under my parents’ name. I asked her if she’d want my spare bedroom to be decorated so she could put her feet to rest. I wanted her to relax. The flashing lights are not your best friend, and neither is your biggest fan. 

I had a dream 

I was in a well-lit prison, where there was no sight of grey. Only the silver ash of my best friend, a clairvoyant getting slivers of images to my freedom. She painted the landscapes I’d get over in my journey to civilization. The prison guard took them away, then slipped them under the pillow the night of my escape. 

I had a dream

I was kidnapped, in the land next to Wiccalocan, the private school of my dreams. I told them I liked it when they touched me, that they were my family. My best friend took the spare iPod and recorded our location, looking for some wifi to connect to to call for our help. 

I had a dream 

I was invited to a party at a cabin in the woods, with pretty blonde girls. I couldn’t see their faces. I really wanted to. Ask them if it’s too much, when the boys bothered them for some fun. I couldn’t stand the taste of rum and coke. The coke was too sweet. 

I had a dream 

I was yours. You, the one with soft words and harsh eyes. Scanning my x-ray-worthy bones, milky calcium and innocent eyes. Give me your sap, your shame, and I will give you my naked truth. 

Was it a dream? 

When you asked me what I really meant by that?

Was it really a dream? 

The glow in your eyes when I challenged you, or was it really true? 

Toppled like lego bricks, you build in my body like a benign cancer. 

I’m trynna be down, but all you do is build me up.

Was it worth washing me down in your cup? 

What is it about me that makes you bow down? Yet tackle me like they do in the Superbowl? 

I had a dream 

I won prom queen. Wasn’t a dream but  sure felt like it. A sensitive poet, at the top of something, not quite sure if ever useful of evermore life’s woes. A crown sits on my head, and on top is the halo you placed on that heavy thing. Heart as light as a feather, the serpent in my womb slithering all over your snake. 

I had a vision

Of a snake, coiled up and shiny black, like silicon black silly putty. Speaking of, you turn me into something like that. My words flow out like poetry when I am with you, my body’s muscle memory uncovering the angelic facade I carefully created to avoid incrimination around the reptiles. I hope they can’t tell how much I want to be defiled by your hungry fingers. 

I had a dream 

You were my poet. Mine, like Taylor Swift sung. I used to hate that bitch; now I see her light as if a spell was cast on me. 

Speaking of, do you believe in ghosts? 

Or only the things you cannot see?

When you said you didn’t believe in souls, 
I saw something shine in your chest. 
I called it mine. 

FOrm form form
Right, if I am your poet.
Or if you are mine

I cannot go on covering my shameful lust with pride
It might be fear, clinging on like mice
On the side of the road, 
Two tiny kittens hugging in an oyster
Clasped on my skin
Clashing dissonance
Is all poetry? 
There is no such thing as sense with you
No so much deadbeat
Or even Beat Poetry
Flappers with wings
You said my wings,
You said, you said 

Stretch it out, they said
(You said) 
It left you feeling hung, 
I’m trynna get you sprung

Anyways, the poetry must, well, you see, 
It must not be so fast, so elusive like it’s fleeting away
Ballet flats, strings intertwining light as my heart
(too fluffy)
I hate you, God!
(too aggressive)
I want you 
(too… porno…)

make sure it makes sense, 
people don’t like torture, 
I beg to differ. 

I’m scared of a lot of things
And a lot of things is you

-Samantha Liu, ’21

Categories
Photography Spring 2021 Edition Visual Art

Eudocimus ruber

-Samantha Liu, ’21

Categories
Poetry Spring 2021 Edition Writing

The Gardener

In pale starlight, the Gardener danced
Uneasy steps in foreign trance,
Following absolution’s thread,
Fearing desertion: puppet’s dread.
But on she dances, smiling wide,
While Luna’s pull dictates the tide,
And Sol looks on from today’s edge,
For in the void, all parties pledge
Allegiance to each other’s pull:
A vice-grip on the Gardener’s skull.
She only wishes to be free,
To dance like comets in the sea
Of stars that lie beyond her binds—
She wonders what out there she’d find
If she could break her ties with Sol,
Instead explore places untold.
But to Sol, she’s forever bound,
Constantly dancing ‘round and ‘round
A greedy ball of gas and flame,
Sucking her in to burn again—
Each pass she makes, barely a miss,
Forever stuck in loathsome tryst.
Daily perform her dance she must,
Though Solfire could make her dust,
For in the searing heat of Sol,
She keeps her garden from the cold,
And without Sol, the Gardener fears
A nothingness beyond her years.
So chained to Sol she has to stay,
For as the night melts into day,
Her flowers bloom, her creatures rouse,
Unaware of their Gardener’s vows

-Ethan Kinal, ’21

Categories
Photography Spring 2021 Edition Visual Art

Blue / Green

-Olivia Douhan, ’22

Categories
Poetry Spring 2021 Edition Writing

Our Layover in North Carolina

I write because of things like postcards / I write
because they fall out of things like the crease of my
favorite book / where I keep my place / and they
remind me of things / like the time that we spent
together / that day

at the airport / we spent nearly five minutes deciding
which postcard we wanted during our layover that ate
away hours in time only measurable by tic-tac-toe / so
much tic-tac-toe / and cut-throat polish poker

we shuffled through the postcards / running our
fingers over each and every one/ I picked this one
because of the sparkles / you picked me because of my
devotion to words

you put the card on the counter and turned to look
back at me / you told me that we were only once in a
lifetime but that someday somewhere you hope to meet
me again in another / for the third time / and then we
left North Carolina

-Catherine Buckley

Categories
Art Spring 2021 Edition Visual Art

Kunsthal Rotterdam

-Freya Johnsen, ’23