Categories
Fall 2023 Edition Poetry Writing

Perpetually a child

Blueberry jelly,

I love January mornings.

Waking up to the true blue denim

of a sky, nothing more than stitched fabric, 

a run in a seam

Gingham wallpaper peels like oranges, 

and my sensitivity is fragile and

exposed raw skin under

makeup. By the pound

cake with molded crust

the stovetop screams

with life. The butter cascades over a hot pan. 

My morning coffee is just shy 

of a gunshot, the stimulus slithers,

Nerves cooled like white hot iron and steamed.

To the side door in the mudroom, 

to my dreams stacked up in the library,

to the tumble of dusted figurines

that are dressed in eclectic fabrics, 

sitting for a tea party and no place 

for the frivolity of anything important. 

Silence the whip’s crack, 

the flick of it broke 

the glass of the front door 

as I glided through. 

The chariot of my dreams

slid over slick oil 

disguised like freedom.

Victoria Wan, ’25

Categories
Fall 2023 Edition Poetry Writing

Orientation

to what does your small, hot body attune itself?

in which direction do you find the wind?

or does the wind find you? inanimate, still

waiting to be graced with breath before movement

on which of the small birds does your eye fall

on this cool morning, which will blossom slowly

into a day on the brink of springtime proper

or do you regard the ever-preening, iridescent ducks

a staple of this landscape, but never a friend

turned as they always are towards their magnetic

home —a calling you surely cannot help but envy

you, who are so pulled by multiples, by fragments

do you stop, eyes closed, to look at the only thing

shut eyes can still grasp totally: the sun

home at last from her sabbatical southward

or wherever it is she goes when winter comes

and do you let her fill the cavern behind your eyes

with red-hot danger just a moment before continuing

down the path of your day or life wherever it may lead?

and when you regard the blank page do you also

regard the tree it once was, and the table

it rests on, a tree once too, which is dusted

by someone to whom a library is north, the way the ducks

have their warmth and the sun its sky, and you

your home, can you name it? and is it fixed?

or are you home amongst the objects you can grasp

with a thrumming need for momentary stasis

the notebook, table, library, the coffee cup

touched by hands before yours and after

even the woman who made it, though you do not

know her name, are these assurances of your existence

home enough, for now, in days that fly like ducks

but faster, and a mind as turgid as gray skies

and fickle as cajoling springtime winds, do these

the objects of your dutied, careful positioning

feel enough like home to orient your north

or do you reach with your blind body for something

like the sun, you cannot look at, only feel

like the child by the pond who disregards the ducks

to chase the wind

Claudia Maurino, ’24

Categories
Fall 2023 Edition Poetry Writing

The Sunlight Fades, My Kitchen Stays Silent

It’s a Thursday evening in August and

I sit by the kitchen window, letting in

the final remnants of the summertime sun,

the table dimly lit by a handmade candle

bought from the market in the center of town, just last fall,

the wax, now, almost entirely gone.

I shuffle through the familiar collection of records –

carefully crafted through the years, changing with its owners.

At this time of night, while looking through the crate that holds

various options for background noise,

I expect the right selection to play, repeatedly, in my head

before it spins on the turntable;

tonight, I can’t find an album to match a feeling I can’t explain

as I cook dinner for one and pour too much rosé,

the flame on the stove and the light in the refrigerator

serving as reminders of an absence

only visible to one, undeniable every time

the sun disappears behind the distant mountains.

A book rests on the wooden table by the window, barely 

made visible by the flame of the candle, the words 

neglected by their reader. Meanwhile,

I flip past Amy Winehouse and Norah Jones

and Bonnie Raitt and I try to ignore the recurring thought

that all I want to listen to is the sound of your voice.

My indecisiveness leaves me in silence.

Grace Holland, ’26

Categories
Fall 2023 Edition Poetry Writing

Systems Thinking

We are a system, 

believing in different systems,

it makes for a complicated rhythm. 

My child lays their head on my breast and listens to my breath 

while a cub tussles with the others their mom brushes through the bushes 

a tree shouts “watch out!” as a beetle makes it way around 

we are a system with input and output 

where pressure is put on projections 

because in a few years those trees may have infections that impacts those cubs,

that constricts my lungs, my child cries. 

Simple systems thinking dismisses systems that are not simple. 

Our system is complex, it’s full of webs, 

connected at the seems to every living being, to everything that is not breathing.

Complexity is compassion, it is construction and conservation 

constructing conserving spaces during the challenges creation faces. 

When we speak of nations, include the cubs, the shrubs, baby faces and cold places, ask the river what it needs, consider what the mountains have seen, hear from every culture what it brings, the birds and bugs and bees, the tiniest seeds from a big breeze, deserts and alpine trees, generational families; what they sing to their offspring, the words and verbs, their way of acting. For when it comes to systems thinking, we must think of listening.

Cass, ’24

Categories
Fall 2023 Edition Prose Writing

Two Hundred and Five Miles

On a Saturday, at precisely 9:37 in the morning, Alice woke abruptly to the commotion of West 45th Street. She listened to two people screaming at each other on the sidewalk below, along with the honking of cars and the occasional revving of an engine. The city may never sleep, but she sure wished that she could, at least past ten in the morning. 

On the same Saturday morning, at 9:37, Lily’s eyes fluttered open, comfortably regaining consciousness at her parents’ house. She looked around her childhood bedroom, hearing faint fragments of her family’s conversation, the sun gently shining through the glass between her curtains. The slight opening of her window provided an entrance for the songs of nearby birds, their soft voices narrating Lily’s peaceful morning. 

Approximately two-hundred and five miles apart, the day began for both of them. 

_____

Trying to catch glimpses of memory from the night before, Alice audibly sighed as the sun broke through her windows, directly into her blue eyes. She shivered as the early spring air circulated throughout her Manhattan apartment. 

Cursing under her breath, she walked across her apartment, rubbing her eyes and running her fingers through her knotted hair. After taking her iced coffee out of the fridge and pouring it into a mason jar, she walked over to the window and shut it, blocking out the noise that ricocheted around her head. Still, she couldn’t find silence. 

_____

Immediately, she adjusted her sheets and pillows, restoring the bedroom’s neatness to appease her mind. She walked over to her closet, running her eyes across the muted colors that characterized it, putting outfits together in her head. After changing into a pair of jeans and a sage green tank top, adding an off-white cardigan in anticipation of the cool Massachusetts breeze, she walked downstairs to join her parents in the kitchen. As she entered, their conversation ceased immediately. 

Once they all said good morning, the chirping of the birds was the only noise that remained, as Lily made pancakes for her family. 

_____

After drinking her coffee during a failed attempt at overcoming writers’ block, Alice walked to the nearby restaurant for her weekly Saturday lunch shift. A man catcalled her on her way there, but she kept walking and forced it to the back of her mind as she opened the doors of her workplace. 

She didn’t think it was possible to find an environment even more fast-paced than the city streets, but every time she walked into the restaurant, it proved her wrong. The cluttering of pots and pans didn’t help her hangover. 

While she rushed between tables, she tried to remember the names of the people she went bar-hopping with last night. They probably wouldn’t invite her out again anyways. She tried to take comfort in the city’s large population, with opportunities to meet people anywhere she turned.  There was one problem, though: most of them forgot about her pretty damn quickly. 

Another aspiring writer with a waitressing job, she thought. Nothing new.  

For the rest of her shift, she envisioned herself walking through her college town with Lily, spending their Saturdays going to coffee shops and writing their essays. Or going on drives, music blaring out the opened windows, finding nearby places to watch the sunset. Or just sitting in their apartment, sharing whatever thought entered their minds. 

When she met Lily, her loneliness gradually left her, with each of their conversations pushing it further into the distance. 

Whenever it started creeping back, she hid within her memories. 

_____

Breakfast with her parents went relatively smoothly,  as Lily only noticed a few passive aggressive comments passed between the two of them. She had become used to that in recent years. 

For the rest of the morning, she sat on the porch reading her book as her father did his daily crossword. She asked him what he and her mother had been discussing that morning; overhearing a conversation between the two of them without her involvement had become a rare occurrence. Without giving her a clear answer, he mumbled something about how it didn’t concern her. 

Later, Lily went to the store with her mother, picking out ingredients for the recipes she planned to try that week. Her mother asked her when she’d get an actual restaurant job, leaving her managerial position at the coffee shop she’d worked at since high school. 

Without telling her mother that she refused to start a new job in her hometown, Lily assured her that she’d get a new job someday, pretending that the coffee shop “couldn’t run without her.” Besides, the shop provided the same sort of familiarity that her childhood home did. Frustrating, for sure, but familiar nonetheless. 

Lily thought about a trip to Boston that she had taken with Alice during their sophomore year of college. As they walked around the city, they talked about moving there together after they graduated, with Lily becoming a chef and Alice pursuing her writing career. It was never a serious plan, just a dream of two twenty year olds – but at that moment, in her local grocery store, Lily wished they would have followed it. 

Instead, she stayed at her parents’ house, making as much money as possible at the same place she had worked at since she was sixteen.  Before moving anywhere, Lily wanted to see the world. And Alice thought there was no better place than New York for her writing career. 

So they went their separate ways. 

_____

Ten months prior, the summer after their college graduation, Alice visited Lily’s hometown for a few days. After living together since their freshman year, it was the last time they’d see each other before Alice packed up her car and moved to New York City.  They coexisted like they had for the majority of their last four years, despite their attempt to ignore any reminders of the distance that would soon separate them. 

Alice had stayed in Lily’s childhood home before, but this time, she looked around the room more intently, creating a mental image that a four-hour drive wouldn’t diminish. She noticed a new addition to the bedroom: pinned on one of the off-white bedroom walls was a map of the world. Lily bought it soon after moving back to her hometown. 

“There’s not many yet,” Lily said, after noticing how Alice’s eyes moved to each of the map’s thumb tacks – one for every place Lily has traveled. “But I’ll add more eventually,” she added, wishing she knew her next destination, eager to escape the mundane routine she had fallen into. 

Without speaking, Alice picked up a thumb tack from the desk, pressing it into New York City. 

“I’ve never been there, so that feels like a bit of a lie,” Lily told her, with a slightly forced laugh, wanting to forget the city’s existence. 

“Not really,” Alice quickly countered, shifting her gaze to the familiar face in front of her. “A piece of you will always be there with me. You know that?” 

“Yeah,” Lily replied, quietly. “I do.” 

“Good.” 

_____

That Saturday night, after her dinner shift finally ended, Alice was greeted by the sound of footsteps from the floor above her. She opened her window to let more noise into her apartment, knowing she might regret it in the morning. 

That same Saturday night, Lily had dinner with her parents, but the three of them rarely spoke. She searched through Spotify, but she couldn’t figure out what she wanted to hear. 

Approximately two-hundred and five miles apart, at the exact same time, they both picked up their phones and clicked on each other’s names. 

Before Alice could press the call button, her phone began to ring, and Lily’s contact photo lit up her screen. 

Grace Holland, ’26

Categories
Fall 2023 Edition Poetry Writing

Delete Message

Hello.

I miss you.

I miss me without you.

          I miss the version of you I thought I knew,

The one I thought knew me.

The version of you that could make all my worries slip away,

and the one that made me feel beautiful.

I want to be beautiful.

I want to tell you all my problems so they can fade away,

I want you to want me.

To tell me all your problems.

To cry on my shoulder and truly trust me.

         Do you miss me?

I miss me with you.

I miss you.

Hello?

Cristiana Libby, ’25

Categories
Fall 2023 Edition Prose Writing

Two Swans

Two swans swim side by side. Around me, the crisp warmth of a new spring brushes over the blossoming trees, blooming flowers, and dewy grass. A faint song, one composed by birds’ unseen, kisses my ears softly. I rest my legs onto a dark green bench, still ripe with the night’s rains. Should have known, I think silently while laughing to myself. The swans float slowly under the arched bridge. The bridge’s age was shown by the swans. A vibrant white covered the swan’s feathers, beak to toe. The bridge once shared that color. I remember seeing it for that first time.
It was the spring of 1950, the first warmth of the new decade. Randy excitedly punched my arm as the clock slowly inched closer to 3pm, then we were out for a whole week! A purer form of joy rarely grazed my heart than that of a Friday before a break.
“Cut it out, Randy!” I snapped, already feeling the bruises form.
Either he didn’t hear me, or he didn’t care because he continued to ramble off all the amazing things he had planned for this week, “Then we’re gonna go to the beach with my grandparents! Then I’m gonna eat a tub of ice cream! Then we’re gonna make s’mores! Then
we’re gonna…”
I tried to tune him out and gave up attempts to make him stop hitting my arm, half my shoulder was already numb, so what’s a little more? I was always jealous of Randy and the other guys; they always went away during spring break while I was stuck working at my dad’s
bookstore. Stocking shelves all day without an extra dime in my pocket, even when I was eight, I knew there was something fishy about that.
Still though, any number of hours in a bookstore is better than a day at school.
“3!… 2!… 1! Spring break!” The class all cheered at once. I quickly snatched up my book bag and bolted out the door, trailing behind Randy and the other guys. At lunch, we realized that I had an hour between school getting out and my shift at the store starting, so we decided to spend it together. The Memorial Park reopened last week, decorated with a brand-new playground, bridge, and freshly cleaned pond. We had to check it out.
The tight collar of the school uniforms combined with the lumpy backpack made running a pain, but the excitement to hang out with Randy and the other guys kept me going, even if I was a decent way behind them. Finally, after what felt like running forever (in hindsight it was only a 5-minute jog), we made it to Memorial. I rushed past the fancy new gate, the freshly plowed baseball field, and the new basketball hoops, I could check all those out later. At the top
of my list was the new playground. Boy was it worth it! And to my surprise, Randy and the other guys were the first ones there! None of the other kids from school could run as fast as ol’ Randy. The new structure was off the charts cool. There was a twirly slide, a net to climb on, two sets of monkey bars next to one another for races, rows of swings that went on for miles, and so much more. We started up a game of manhunt that didn’t last long because Stanley tripped and scraped his knee. After patching Stanley up with some dirt and spit, I wanted to go check out the bridge and pond. Randy and the other guys agreed, seeing that I only had another thirty minutes before I
had to go to the bookstore. The pond was a magnificent tell of what the future had in store. The bridge hung high
above the deep blue below. It was arched, painted with a vibrant white. The color had a glow that told me a thing this pure would never cease. The railings were ornate figures that protected little kids from falling and mothers from heart attacks. We rushed to the peak of the arch. Gripping tightly on the rail we peaked our heads over the edge.
“I’m gonna perfect my backflip this summer with the help of this thing!” Randy exclaimed.

Me and the other guys cheered him on.
We began to race around the pond, tackling and pushing each other to show our love without ever explicitly saying so. Randy pushed me into a pit of mud, I laughed and started to hurl mud pies at Randy and the other guys. A spring snowball fight ensued. By the end of it we were all laughing so hard none of us could move.
“Guys! Check this out!” Randy yelled while we all washed ourselves off in the pond. He’d discovered a perfectly flat rock. So smooth it was like the earth formed it solely for
skipping. Randy winded up his arm and with the grace of all the rock skippers before him, he sent the disk skipping along the pond’s circumference.
Seven perfect jumps, the rock had, before it came down with a plop right under the bridge.
Me and the other guys went wild after seeing what Randy just did. Our youthful masculinity had us immediately searching for our own rocks to skip. The bits of earth I found were lumpy and unfit for skipping, though the feeling of throwing a rock into a pool of water
was, in itself, amazingly enjoyable.
We skipped rocks and talked about spring break for another 10 minutes before I said, “Alright guys, one more rock.”
They all mocked me for having a job as I searched for one last rock to skip. Finally, right
near the edge of the pond, sat a circular rock, smooth on all sides. My heart skipped a beat while I winded up my arm, hoping I could be as cool as Randy. I had my target locked, but right before I released the greatest rock ever skipped, something caught my eye.
Two swans.

Their beaks were touched together, forming a heart. Across the pond they floated still, beaks together. Inside this heart was a girl I had never seen before. She was very pretty, the prettiest girl I had ever seen in my long eight years on this planet. For what felt like hours, I
stared hopelessly at this girl, imagining the life we would share together. I felt myself drop the rock back into the water, the thought of this girl was too much for my body to handle everything
at once. The natural heart, her beautiful smile, the newborn flowers, the air of a new week. It was all perfect.
Suddenly, the sound of a rock skipping caught up with my ears as I watched the two swans break the heart and fly away. Randy had skipped a rock at them.
I gaze now upon the bridge, its breath of fresh life ceased along with the rest of the park. I wish Randy never skipped that rock. That way, she could have stayed in that heart for a little
while longer. I wish I had more time to appreciate her, spent more time simply appreciating what she brought to this world, but like the heart, she was gone too soon. Luck still blessed me, for every image that filled my head when I first saw her came true, except one.
I lay one flower into the pond and let it slowly drift away. I’ve grown comfortable with letting the flowers go. I’ve placed ten into this pond so far.
One for every year she’s been gone.

Owen Smith, ’27

Categories
Fall 2023 Edition Poetry Writing

View on a Summer Evening

Blurred vision 

collapses space into a single image 

like the sky, in front of me 

there are wandering terrestrial stars

Orbiting each other over 

Cosmic cicada song

They are wading through the air and 

the faux-glass plastic tables

with folding chairs, wet

with dead mosquitoes

Robbie Kite, ’27

Categories
Fall 2023 Edition Poetry Writing

J’ai faim; j’ai soif.

(I’m hungry; I’m thirsty)

Outside of town; about 43 miles,

a man was found.

Evidently, he had walked here,

presumably unable to find his destination.

Leaning against a tree,

the man’s figure was unnatural;

uncomfortable to one’s regard.

His skin blends of grey and red,

his forehead peeling away.

The sun hadn’t been kind to the man,

her rays coloring this man more aged than before.

Even now, his shoulders positioned heavy,

pointing to the gravel in front of him.

It’s hard to say when the man last consumed anything; 

hunger and thirst

carved into his ankles. 

One could pick him up from under the ribcage, 

there being such a step between his chest and hips.

His lips were cracked and bloody;

thinned enough to suggest there was nothing there at all.

Yet despite this,

these lips crooked into a smile,

his dried eyelids twitching,

open and shut.

Tim Stilphen-Wildes, ’27

Categories
Fall 2023 Edition Poetry Writing

Multiplicity

think of an ant hill

so many bodies with jobs

and no straight lines

think of new york city

viewed birdlike from above

infantescimile, opinionated, important

think of them not as the same

think of buds on backyard elms,

blink and there’s hundreds,

now millions, and you know

it is a myth that you cannot watch

grass grow in real time

real time is not real

we are experiencing all at once

(that’s why it feels so fast)

(that’s why it’s gone so soon)

like shark teeth or those sticky burrs:

always so many more

than you bargained for

think of a heart

web of independent

molecules and monologues

each fiber its own

incision, opinion, spark

like from the first firecracker

on the beach in summer

somewhere far away

and long ago (not really)

where the waves are a trick

mirror, a mirage, not waves

but wave, we named it wrong

one big blanket-creature

rolling and pulsing, magnetic

maybe (or magic?) in its unity

the biggest place there is

our lines and maps fail

to capture it, they sink right through

touch bottom, bury themselves

it’s no wonder there is where

I dream when I dream of death:

it is the only mass, the only one

I do not fear

the composite parts of

Claudia Maurino, ’24

Categories
Fall 2023 Edition Poetry Writing

Implications of being your woman

there’s a roar

deep within graceful

windpipes. the hollow caress of

mindless touching, to be fickle 

and small is to be you,

cauterizing me with those hands.

please, pinch me,

bring me back like whiplash and

land in child’s pose.

pray for a connection. 

for revelations, i melt into you.

when My boundaries are

waved into a dream

with demons in the backseat,

madness itself pumps the pistons of this engine.                                                                                                                                                                   

alone with my skin

i’m unrecognizable. 

we sit together, me and it.

rotten fruit blooms in my gut

and my ligaments have ivied

nothing but beauty in nature.

Victoria Wan, ’25

Categories
Fall 2023 Edition Prose Writing

Great Britain

A long time ago, before cheap flights spread them throughout the world like summer pollen, people used to go on holidays by the sea. I was not around yet to witness this. Because my parents tell me stories, I know that the quiet Blackpool beaches before me were once crowded. There was a shining tower and long piers that pierced the ocean and bright lights and carnival rides and one-night-only acts. Now there are empty spaces designed for invisible crowds. The boardwalk paint is flaking, the wood rotting. I imagine that one day a hole will open up in the pier and those who still remain will silently fall through. A trapdoor will click shut above them and they will be left in the near-darkness, saltwater around their ankles, where they will wait for the light to come pouring in again. 

My great-aunt’s boyfriend Steve starts a conversation with anyone he can find. He casts his hooked bait to the old men standing by the glassy ocean, whose fishing lines hover just beneath the waves. They are spread evenly across the waterfront, like sentries, guarding against the sunset. They are the final patrons of the Irish sea. Through Steve we glean the most vital tidbit: These fishermen will be eating from the chippy this evening. We feast on this—How ironic, how satisfying! 

I imagine that the boardwalk arcade has to hum itself to sleep these days. Towers of pennies in coin-pusher machines slant lazily. Fog wipes the end of the pier from sight. Outdoor cafés are carpeted with flattened astroturf. Sticks of Blackpool rock are piled high on countertops in strange colours and sugary flavours. Haziness seeps into the body. Arcade lights flicker. Claw machines are out of order. Nobody mans the prize counter. You could take anything. The boardwalk no longer needs to swindle you, for it runs on pity now. 

My cousin’s friend Jasmine is from Blackpool, although soon she’ll be moving to Leeds. Fresh start, she says. In Glasgow, everyone knows everyone, she says. She’s light blue all over—eyes, eyeshadow, skirt and shoes. While we’re in a pub, my cousin tells the story of the time he and a friend drove Jasmine home to Blackpool, and the friend fell so in love with her during the car ride he wrote her a song. She never spoke a word to him. Our heads shake; everyone is laughing. The third gin and tonic gives me vertigo. The rain pauses and begins again. My cousin’s girlfriend makes foosball players dribble the ball as if they’re the real thing. 

One of my paintings hangs on the wall of my cousin’s bedroom, a portrait of two dogs. The one with perky ears is no longer with us. On the opposite side of the family—my mother’s side—I have a cousin who lives in a flat near Manchester’s Old Trafford. It has a beautiful view. Another one of my paintings hangs on the wall by the entrance to the kitchen. This is the only time my ability to create art feels like a gift. 

My cousin’s apartment in Glasgow is filled with light. I draw the people wandering in the street below. My brother and I are starting to enjoy each other’s company. We’re visitors here, cousins from America, knowing just enough to fit in but not enough to assimilate. Jasmine asks us, in a voice light and sing-songy, what it’s like being American. Asks if we own lots of guns or hoard food. We say no, no, we aren’t American. We only live there. 

On the turbulent road that leads into Blackpool, a biscuit factory is embedded in the razed earth. Burton’s Biscuits. The building is hemmed with barbed wire. Are they trying to keep intruders out, or the biscuits in? When I first arrived in Blackpool, a fight broke out in a pub across the road. Mid-morning. Men in the street, throwing punches. Barbed wire, boarded houses, demolition. The sea shines in the weak sunlight, but it is not enough. 

My mother’s mother was born here. She moved away to a snoozing cul-de-sac in a bomb-stunted city, where not even cars carve craters in the quiet of the night. Coventry could have been the greatest British city, she says. 

Both of my grandfathers were artists. I visit my mother’s childhood home, where her father’s art hangs on the walls. I never got to know him before he died. My mother’s mother struggles with her eyesight, and I find it eerie that these paintings go unseen for much of the year. Whenever I visit, I stare at them for long periods of time, trying to memorise them. 

I sit to paint my father’s father, who chats to me about portraiture and glazing techniques. I miss my other grandfather deeply. He deserved to know, when he set aside the start of my education fund, that it would be going towards studying art. He can never sit for a portrait, but he is with me when I paint, and that will have to be enough. 

Miles away from Coventry, rain soaks the air above the Yorkshire moors. Down below, in the city that no longer bleeds soot, the masses sway to and fro like heather in the wind. I am happy to be from here, because they are awfully proud of their painter, a man who dutifully depicted the gruesome, banal, industrial reality of it all with brushstrokes. Here is your smokey, dirty city. Here are its tired people—but they are not tired anymore. They buzz. The city symbol is the bee. Old canal boats float beneath tall towers of blue glass and steel. Greenery grows all over the rusting pipes of the viaduct. The people of Manchester frame and display their painter’s work, as if to say: Look at how hard we have worked for this. Look at what we have created from our history. 

L. S. Lowry, born and raised in Manchester, once said that he was most proud of his seascapes. They are blank expanses of ocean—no beach, no beachgoers, no blue skies, only a wavering grey horizon. He proclaimed them a reflection of his loneliness. How can a man be so lonely, when he has the voice and the image of his people inside of him? As well as the grimy haze of the workers and their machines, he captured the vital detail of their lives. Perhaps his seascapes are so excellent because he already knew the way crowds moved in waves, to and fro, mill to homes, like clockwork. The tides are relentless. Maybe Lowry saw the future in them. Nobody works in the mills anymore. Nobody goes on holiday to Blackpool. The sea remains, mute and steady, working.

In England, during the summer, the days feel like they never end. I play football in a backyard with my cousins. The makeshift goals and flat ball are familiar; my brother and I used to do this in people’s backyards and make all the adults join in. I’m part of the older crowd now, standing there with a pint of beer, chatting, watching the ball roll back and forth. My cousins say come on, come play, and the evening disintegrates. The ball slowly disappears out from under me, washed away by the growing darkness. I don’t even notice it’s happening. Suddenly there are no clearly defined shapes anymore, just the moving outlines of my family, the fuzzy glow of the football, the beer in my hand, my new old age, and the passing of time. 

The darkness of Manchester’s suburbs is translucent, draped delicately over the river and fields. In pub doorways, I part ways with people I only half know. I have listened to their chatter, their catching-up. We all go different directions, into the night. Careful, now. These evenings are pearls, achieved through months of routine. School, homework, dinner, television, for months and months until I earn my reward. I hold the pearls in my palm, count them, remember them. Treasure from the sea and the land. 

On the corner by the red-brick church, two girls hug goodbye and go their separate ways. They say, see you soon, see you next time. My next time is much different to theirs. My next time weighs me down in the street, invisible and heavy, while the girls float away from each other. Under the streetlamps, we are all briefly illuminated, and it starts to drizzle. 

I walk the family dog around the block each night, pausing only to examine the shuttered storefronts. It is dark and quiet and the air is filled with a feeling that I do not care to discern, for I am just here to walk the dog. I am here to play musical houses and make cups of tea. I am here to visit a castle. I am here to climb the moorland paths. 

Like the old industrial machines, my family rumbles on. Much has been generated in my long absences—new cousins, here and there—two dogs that merge into one. Thankfully, there are pubs that let you in no matter your age. Thankfully, there are old friends of your dad who turn up and say “I remember when you were this tall”, and ask what you’re up to these days. The answer is, usually, I’m here, and I’m walking the dog. I’m making cups of tea. I’m looking for myself in old photographs of my parents. I’m eating Sunday dinner. I’m on the train to Glasgow, watching the world widen before me. I’m painting my grandparents. Most importantly, I’m listening to the stories my little cousin invents about trains and fire trucks. 

He asks to see me one last time before I leave, and paints me a picture as a gift. Maybe he will be an artist. We sit on the floor of my grandparents’ house and slot the wooden train tracks into place. I have been here before, three years old, playing in this same room with these same toys. My grandparents look on, smiling. It is not often I get to be here like this, quiet and peaceful with my family. I never get used to it. The train track is long and winding. The tiny wooden carriages take the invisible passengers home and back again, and home and back again.

Katherine McDonagh, ’27

Categories
Fall 2023 Edition Poetry Writing

Cloudscape

I wonder 

what lives between the plains of turning clouds, what light between lightless balls of water lives, and what darkness descends 

as god 

closes her eyes, 

The spherical blanket which shields us, a bandage over unrepaired wounds, 

complacent feet trample 

flatten wavy grass 

who harvest grains which continue 

our wisdom. 

But our feet cry from their injuries, 

same steps as feet before them, 

Sharp pain revolves, as cold planets 

around our saddened earth, 

returns to its birthplace 

and breaths anew 

Until our feet, 

which have journeyed long 

step somewhere else

Anonymous

Categories
Fall 2023 Edition Poetry Writing

Prayer For This Life

thank you for constancy and commitment
thank you for hard work and the tight elastic red of sore thighs
thank you for dedication, for tiny pellets of good work
skipped like stones over the glassy hours of a day
thank you for the gurgle of laughter rising
from the wettest parts of my mossy forest heart
thank you for obliqueness, chess moves initiated
by the huge hand of time I do not trust
but cannot help but pray to
thank you for scissors, a needle and thread
with which I sew constellation sentences
into the universe I call my home
thank you for hearth and comfort —blankets, my mother
these indelible heavy weights that place me in the world
thank you for attention, my eyes, thank you for turning my head
at the moment a flock alights and speckles the sky
in glorious, instinctual patterns
thank you for strangers who I love like myself:
because they exist, because they are loud and strange and buoyant
thank you for the lesbian professor in a gaudy suit who shrieks
and with both hands pulls the past and future of my people
dazzling and bright into a single moment
thank you for the walk to the cafe we relish in more than the coffee
and for the coffe too, hot and indispensible
thank you for curiosity: that crooked finger, that spiraling fractal
beckoning me ever closer and ever further from
the drumbeatheartbeat point of it all
and thank you for my body, who does not have words
to name the dance but nonetheless, invisibly and deftly
finds the rhythm

Claudia Maurino, ’24

Categories
Fall 2023 Edition Poetry Writing

A Key in a Church

When you unlock me I am frightened,
Made of glass that I fear will shatter on my tongue when we are
close,
But you are my beginning
My big-bang,
The theory that created a million church-window colors,
Depicting scenes of forgiving saints and tragic lovers,
Draped in robes of garnet red, soft brown and fern green,
Hopeful that I can unlock once more,
To you, who sings hymns of adulation.
To you, who waits with a key.


You make me pray.


Like Cleopatra and Caesar,
Cursed paramours falling,
Shattering glass, tearing murals,
Their shards and threads sparkling in my curls,


Amica mea,
We are golden and bright when I unlock,
And I feel,
You are the vivacious theory that created everything.

Lauren Mueller, ’27

Categories
Fall 2023 Edition Poetry Writing

In the Shadow of a Rose

They said to her,

“Patience,

For you will blossom and bloom

Ever more beautiful than

Every bulb before you.”

And they showered her with water and words

And they did not see her drown.

And so from that soil a new flower bloomed

And they said to her, 

“We will not wait for you.

For the rest of the garden has blossomed

And you grow where beauty once grew. 

And you will learn to be beautiful too.”

And the flower did as she was told

And grew divine as she was delicate,

Fine as she was frail. 

And they cut her at the stem. 

And so from that soil a new flower bloomed. 

“Patience,”

They said to her. 

“Patience.”

Ben Sherwood, ’26

Categories
Fall 2023 Edition Poetry Writing

Entomology

Every so often, I feel like there are centipedes in my gut.

Creeping and crawling, wriggling and squirming.

And every so often, but

probably more so than that,

they’re ripping and tearing and worming about

And there are roaches in my skin

telling me to wash it all away,

as I curl up to silence the din

of ever present reminders.

A pat on the back, a familiar face seen today.

On my feet there are bees.

Bees telling me to go and run and flee.

To run and run away until my knees

fall apart and turn to dust.

But from this, I will never be free.

Upon my brain there sits a leech,

devouring every word that could be said.

Every one to help, and each

could have saved me

from what now keeps me trapped here in my bed

Wishing we had never first spoken.

Wishing I hadn’t been left,

been left tired and broken

like a bug crushed underfoot.

Elizabeth Florez, ’27

Categories
Fall 2023 Edition Poetry Writing

Creating in Currents

He began to write our story before I ever understood the rules of sound

My father always sailed carefully
along the coasts of language
the outlines of our
motherland


Righteous sound
Built-in partitions
Of a parallel life


American born
Chinese


Proximal to both
Inhabiting the land of none


He taught himself geography
He learned to place stones
In a beautiful sequence

Each syllable
Etched and carved
Deep into the
Waves of sound
Rising and falling
Against the tide

He paved my path smooth
Before i was tall enough for
The Eyes of Others
He taught me the Rules of the
written language
Gifted me Grammar books for fun
Told me to speak with
Assertiveness. Confidence.

then i began to create
And sculpt
Myself to be seen
Then heard


My sound remained half
fractured for
only a fraction of my time

i don’t tell many that
English was never my
first language.


i spent my early years
at home where my mother
trained my mouth
and mind
to inhale
then exhale
Duality

Language of each end of my hyphenated identity

taiwanese

american
Split across
Piercing dash
through my parallel entirety
do two halves
truly Create
A whole?

I cross the ocean now with fluency
Sometimes I think about being a pilot.

or perhaps
A captain

Soaring across the lands like they are my own.

Each time
Laying down my stones
Against chronology
This is my story.
Today I find solace at sea
Where the stones tend to sink
And my body surrenders to float
To travel not by pathways but
Compliance
to the motions of the water
uncharted
and undefined
neither
Or.

Sun Moon Lake, ??? Taiwan. July 30, 2022. Shot on Yashica T5.

Devon Chang, ’27

Categories
Fall 2023 Edition Poetry

Find It

there is a room where they are saying your name

there is a cup of coffee with the indentation of your

mouth around the rim and there is a puddle hungry

for the shape of your shoe to splash around

there is a voice, a fist, raised against you

somewhere, in an argument you need

to learn to lose and there are hours stacked

in the corner waiting for you to open them

there is a moment in your childhood

best friend’s life she doesn’t remember, but you do

and there is a girl in a corner who will not know

she wants to kiss you till you appear

shiny from the rain and out of breath, unaware

completely of all the yawning spaces

that need you in them —you, who are awake now

only to her eyes, her slightly open mouth

Claudia Maurino, ’24

Categories
Fall 2023 Edition Prose Writing

Conversations We’ve Had by the Fire

It was December of winter break, my junior and your senior year. You would leave before Christmas, to spend the holiday with your family, but it felt like the perfect timing for you to meet mine. We sat comfortably in my childhood home, in the warmth of the fireplace, as the night fell and the New Hampshire temperature dropped even lower; with the sight of a snowstorm out my living room window, we were happily trapped inside. 

My father, generally a man of few words, briefly walked in to poke the logs beneath the flames, before leaving us alone again. As he walked away to rejoin my mother in the kitchen, I thanked him and he nodded. He had a quiet presence, speaking up through mumbles and hums, still managing to define this corner of the house. My favorite corner, especially in the winter months. 

I’m sure that fireplace looks different now, years later; though I remember it so clearly that, I swear, I can visualize the intricate lines between each brick, bordering the fire that illuminated one side of your face – the side that, without fail, remained turned towards mine.

You told me it was nice, hearing my parents’ conversations, occasional laughter hovering in the background. I knew what you really meant. From the fragments of information that you had already revealed, even back then, I could sense that your childhood wavered between a fragile silence and too much noise. 

As we spoke, my mother moved to the grand piano that she inherited from her own father. She sat there often, learning Joni Mitchell or Billy Joel songs, the melodies planting themselves in all of our heads for days to come. 

While she played, you said that my life had a soundtrack, with a slight smile, and I wondered if sitting in my living room revealed a contrast that you didn’t know existed. 

Listening to the wind and watching snowflakes cling to the windows, my mind drifted back in time, through the changing seasons, landing on the day we met. It was April, and spring had begun to gradually creep in, a few bright days of warmth scattered here and there. We sat on a bench and watched our mutual friends throw a football around until you finally worked up the courage to ask for my name. Now, sometimes, I wish you never did. 

After a few glasses of red wine, I told you that you fit perfectly into every area of my world. This became clear in that corner of my childhood home, on the burgundy sofa, across from my great-grandmother’s matching chairs, next to the wall of red brick. 


Ten months later, and you spent Thanksgiving with us, and we sat by the fire again, a senior and a college graduate. You wondered if you should take your philosophy degree and apply to law school, or if you should just find a job in sales. Selfishly, I mostly wondered if you would stay nearby.

For someone so eager to get away from their hometown, you had stayed awfully close. I asked if you would consider packing up your apartment, leaving our college town, and moving to one of the places you dreamed of. You spoke so highly of Oxford and Edinburgh and Dublin and Rome for someone who had never visited. One night, I dreamt of you packing your suitcase and boarding the plane without a goodbye, as I remained in my childhood living room. I refrained from telling you this. 

I asked you where you saw yourself in a year, and I hoped you didn’t catch onto my shaking voice. You said you didn’t want to leave your sister. You didn’t need to add like my mom did, but I knew that’s what you really meant. Instead, you said that ninth grade had already proven that high school did not suit her. She’s an old soul, you told me. 

My parents wandered in and out of the living room every hour or so, and I loved to watch you interact with them, every conversation working to intertwine my past with the present. You complimented the new vintage picture frames, which they had added to the room since your last visit, and they thanked you, knowing they would soon pack them into boxes. 

They didn’t know I had overheard them talking about the move, about how they couldn’t afford to stay in our home for much longer. During one of their trips to the grocery store, when I knew for certain they were out of earshot, I told you that it would probably be our last time sitting by that fireplace. You reassured me that my home would still be your favorite place to visit, wherever it was. 


My college graduation was tainted by the knowledge that I was going home for the very last time. With my mother’s framed paintings taken down and placed in boxes, the walls were more bare than I had ever seen them. With the move, our house would become my parents’ house.

We had to give away the grand piano, as my parents had no hope of wedging it into the corner of our new living room. It would move to my aunt’s house, and my mother could visit whenever she wanted, even just to sit at that piano. I wondered if the holidays would become the only season in which I would hear my mother play. I wondered if songs would stop getting stuck in our heads, collectively, for days at a time. I vocalized neither of these concerns. 

Before I left school, you told me you had an early birthday present for me, and I reminded you that we had dinner plans on my actual birthday, in just two weeks. You told me you knew that, but you couldn’t wait, and you handed me a letter. You said you could express yourself better that way, claiming that your written words tend to come across better than your spoken ones. I nodded, but I never agreed. I loved all your spoken words just the same. 

I read it when I got home, once we were apart, because I could already picture how red your face would get if you sat there, watching me read. At the end, you wrote, I know you’re leaving behind a part of your past, but keep in mind that we still have the future. At the sound of my father’s footsteps, I wiped away a tear, and he walked in without notice. A moment of privacy you and I shared, even without you physically there, sitting beside me. 

With your handwriting in my firm grip, I said goodbye to the familiarity of the brick mantel surrounding the flames.


Over two years passed and December rolled around again. I sat in my parents’ house, a condo, further from the center of town. As I waited for you to knock on the door, I sat on the sofa with my book, struggling to focus on the words; instead, my gaze shifted around the room, the same furniture and picture frames in a less familiar space. The living room still had a fireplace, the mantel painted white, replacing the brick I had grown so attached to. 

When I opened the door for you, I could tell you seemed just as distracted. I couldn’t seem to stare at a collection of words printed across a page, you couldn’t seem to look me in the eyes. Rather than your usual spot on the sofa, next to me, you chose to sit on one of my great-grandmother’s velvet chairs. 

I thought that moving back home, out of our shared apartment, would help us. Instead, you must have realized that my home was no longer your favorite place to visit. 

I guess our change of location encouraged your change of heart. Tell me, if we were in Oxford or Edinburgh or Dublin or Rome, would you still feel the same? 

I never really asked you that. I didn’t want to be convinced that I’m just no longer your favorite person to see. 

Grasping for straws, I suggested that we spend a summer backpacking across Europe. We could even live there for a year. Or, if you’d rather, you could go to law school after all, wherever you chose, and I could keep working from home. I told you that we could live all of our own dreams before our shared ones. 

I tried to hint that we weren’t your parents. 

I guess I didn’t get the message across, and your lack of faith in us shattered my own.

One side of your face was still lit by the fire, but it was no longer turned in my direction, your green eyes drifting between the flames and the hardwood floor.

Grace Holland, ’26

Categories
Fall 2023 Edition Poetry Writing

The Night’s Affairs

Stygian asphalt water

Reflects the flickering sky

Elapse the tender root

No matter how you try

We’re so much older now

Yet on a wet December night

Our souls grow to allow

Alleviate and invite

Grief like silver mercury

Debt gone long unpaid

Hope for health and company

In the new life we have made

Deeper now we wander

Into the shadow of the woods

Hesitate, stand, temporize

To ponder if we should

Deviate from the path

A voice will ask your name

Ignore its wretched query

Unless you seek to play its game

So far inside the thicket

The air around us black

Now there’s no escape.

Now there’s no way back.

The voice screams for my name

Poignant and wrought with fear

I run into the dead of night

To no wisdom I adhere

Rambling through the snow

Desperate for your voice

Now I remember the beach.

Now I remember your choice.

The darkness falls around me

The light on the asphalt flares

So suddenly I’m woken wiser

Then, to all the night’s affairs.

Sean King, ’24

Categories
Fall 2023 Edition Poetry Writing

Chatter

On Monday we pinch pennies,

For good luck at the store.

Wishes rest, pebbles piled

up in the cemetery,

On top of tombstones.

Tuesday and Wednesday

come like a midnight freight train.

Cacophony belts on, the tracks

shake the roof,

splintering the bones of our home.

I rest in the cradle of arms.

Only for this Thursday, 

I tangle with wisteria. She

gloriously punishes every-

one with waking sleep.

Now,

water flows in red and orange

supermoons of a synthetic design.

Come time Friday, clocks of day

run amok, like monsters.

The porch light sings,

it’s time to go home.

Don’t forget to 

kiss our children good

mourning and at night

spider mums wither in a vase

at the foot of the bed

in the fields of their lullaby.

Did you know you can buy guns in supermarkets?

They did too.

Victoria Wan, ’25

Categories
Fall 2023 Edition Poetry Writing

Glass Flowers

Do you think Hephaestus
Ever thought
To make Aphrodite
Flowers
From glass and steel?


Meticulous work
To bend wire to will
To make it something it’s not


To clamp and bend and hold
Hoping for steady hands
Wrapping wire
Round wire
Again
And again.


Made by hand
And just as fragile is the real thing
I give you these
Glass flowers


I spend my hours
With pliers in hand
Wrapping silver wire around itself
Precisely
For without some reinforcement
The wire is prone to snapping.


Twisting wire into loop after loop
Trying to perfect
My process
To make them stronger than stems
Sturdy as I can.


Some petals spin
Some petals won’t
All different color combos
Reds and pinks
Picked in particular

To make pretty combinations
Last time I tried
To give you flowers
You told me you couldn’t
For hiding flowers is a difficult task
And they damage quick and easily
And though glass and bead
Can break with ease
Theses flowers should be easier
To hide.


They will never grow in length
Nor will they die
But they will catch the light
With hand painted petals
Dipped and sealed
Myself
So they may adorn your dresser or shelves
Built to last
Much like us
Made with care
With time.


And though they’ll never grow in length
In number
I’d delight
In crafting a garden for you
My dearest
One that’ll last for life.

Paden Horton, ’25

Categories
Fall 2022 Edition Poetry Writing

Precipice

night, painted thin onto the air
no clouds, no stars, just oceanic blue and
clocks that do not tick, we climb up slippery
ladder rungs, across rickety beams still in our
party clothes, still in awe of our youth, our
hands, one another’s warm bodies, sharp
bones, secrets spilled like wine on the carpet,
we run away, fast past noise complaints, those
who can’t catch on, we hitch a ride, our skirts
up, climb high into the dangerous, wanton
night that paints itself an endless blue
symphony we throw ourselves at the canvas
of nighttime see what sticks, what hurts, what
reminds us of fire and being eleven, when I
learned how to ride my bike with no hands I
had no idea I would be chasing
this feeling, headlong, forever

Claudia Maurino, ’24

Categories
Fall 2022 Edition Poetry Writing

HAPPY HALLOWEEN, MR. WONDERLAND

Last year it snowed on Halloween,
and my body was so lonely
I cried while my family watched The Shining,
and went to bed early.
Now I can’t remember anything but bodies
and more crying.
I went outside for a cigarette,
trailed by ten people.
Everyone called me by the correct name,
but no one had a lighter.
I try kissing underneath flashing lights,
I try silent nights
I try special effects makeup.
Oh God,
I got flayed-off pieces of myself everywhere,
all over the tile floor,
all over the driveway.
Oh God,
the lungs will be the next to go.
We are all just pairs of lips, bloodstained nonetheless,
the comforts we seek in one another
superficial wounds on a much more bloated corpse.
Made of fossil fuels,
cheap and destructive and easy to burn out
The lights stay on after the parking lot empties.
I always get the feeling that
I’m not supposed to be here,
forgive those who trespass
they’ve got nowhere else to go.
All the firewood got wet last night,
and no one’s got a lighter.
Don’t tell your parents what I was doing in the spare room,
and how I felt like a fake prophet
and how I knew no one loved me
as much as I loved them in that moment,
and how I drove home with the windows down,
hoping the air would cleanse me
and how it didn’t,
and I knew it didn’t,
but there’s no one to apologize to,
that wouldn’t shoot me on the spot,
and how I don’t know how to pray,
so instead I just look at the lights reflecting
from inside warm houses onto wet pavement,
imagining what it might feel like to be inside them.

Mikey Roy, ’26

Categories
Fall 2022 Edition Prose Writing

A CAR PARK STANDS BESIDE A TALL OLD ELM TREE

[for years, it was quiet.]

ELM: Why did you come here?

CAR PARK: Come where?

ELM: This meadow. It used to be empty. I used to be here alone, and then they built you.

CAR PARK: I am here for the humans. They need me. They built me for a university. I am a part of something. Are you?

ELM: You are.

CAR PARK: Isn’t that nice? To be a part of something? I was made with a purpose. I know what I need to do here. Isn’t it wonderful, knowing you mean something to someone?

ELM: I wouldn’t know. I was not made to be a part of something. I came from nothing and now I am part of the Everything. I may not have as much meaning as you, but I bet I know more secrets.

CAR PARK: Like what? I know where everyone goes. I know when they come home.

ELM: But you don’t know why. I know why the sun rises in the east and sets in the west, why the squirrels don’t store their food beneath me anymore.

CAR PARK: Tell me, please.

ELM: Perhaps you’ll know, once I am dead.

CAR PARK: When will that be?

ELM: Soon, I think. The school is growing. They’ll need more cars, and less of me.

CAR PARK: That’s horrible.

ELM: It will be, but only for a while.

CAR PARK: Well, you know, when you fall, I’ll be there to hear you. I will listen to the wind for you when you are in the ground.

ELM: I know you will.

CAR PARK: I will be the one who mourns you.

ELM: That’s the thing, though. Knowing someone will miss me when I’m dead — I don’t think it’ll make leaving hurt much less.

[they watch the afternoon sky turn black with smoke. tomorrow, snow will fall.]

[for years, it was quiet.]

ELM: Why did you come here?

CAR PARK: Come where?

ELM: This meadow. It used to be empty. I used to be here alone, and then they built you.

CAR PARK: I am here for the humans. They need me. They built me for a university. I am a part of something. Are you?

ELM: You are.

CAR PARK: Isn’t that nice? To be a part of something? I was made with a purpose. I know what I need to do here. Isn’t it wonderful, knowing you mean something to someone?

ELM: I wouldn’t know. I was not made to be a part of something. I came from nothing and now I am part of the Everything. I may not have as much meaning as you, but I bet I know more secrets.

CAR PARK: Like what? I know where everyone goes. I know when they come home.

ELM: But you don’t know why. I know why the sun rises in the east and sets in the west, why the squirrels don’t store their food beneath me anymore.

CAR PARK: Tell me, please.

ELM: Perhaps you’ll know, once I am dead.

CAR PARK: When will that be?

ELM: Soon, I think. The school is growing. They’ll need more cars, and less of me.

CAR PARK: That’s horrible.

ELM: It will be, but only for a while.

CAR PARK: Well, you know, when you fall, I’ll be there to hear you. I will listen to the wind for you when you are in the ground.

ELM: I know you will.

CAR PARK: I will be the one who mourns you.

ELM: That’s the thing, though. Knowing someone will miss me when I’m dead — I don’t think it’ll make leaving hurt much less.

[they watch the afternoon sky turn black with smoke. tomorrow, snow will fall.]

Mia Vittimberga, ’26

Categories
Fall 2022 Edition Poetry Writing

Intergenerational Poem Project Fragment

The first poem was written by my late father and rediscovered a decade later amongst his things. I didn’t know he was a poet before finding his old work, and I decided to write companion pieces for much of his work to bring it to life even after he is no longer with us. The second piece was my companion piece, to reinterpret his idea into the context of my own life and writing.

Man Without Fire

I am a man without fire.
Damp, smoldering smoke, 
Clinging to cracked ice,
In desolate winter.
I wait for rescue from
Black water encroaching
From etched lines of ruin.
I am full of doubt and rain.
Isolate and still,
My frozen figure,
Crawling to your shore.
You are my refuge,
For I am cold and without light.
I seek warmth and forgiveness,
A shivering stranger,
Seeking your shelter
From nights cold and windless,
Under icy stars burning,
Without heat or tenderness.
A lonely pilgrim,
My hand seeks your heart.
Upon your breast,
I feel your life and warmth,
Your flame fills me,
From hand to heart,
And I am joined to you.
You are my fire,
My sun, my life and my light.
I am warm.

Creature Without Fire

I am a creature without fire,
Confiscated by the gods,
I tremble in
the cold moonlight.
Swimming in black water,
A desolate December night.
Tortured by
my own naivety,
A mind of cold marble and
Thoughts of broken glass
I shiver against
the unforgiving waves,
Clawing desperately
at salvation.
Your figure draws closer,
A halo against
the blackened sky.
My personal Prometheus, Torch
of stolen blessings in hand. You
scoop me
from the rapids,
teasing my clumsy manner
with your gentle tongue.
I climb into your arms,
Cradle of divine creation.
Comfort seeps
into my bones.
Your hot breath
warms my soul,
Yet your mystery
envelops me.
Seductive and serene,
Like the silver moon,
Watching over us both.

Kay Denmead, ’24

Categories
Fall 2022 Edition Poetry Writing

Dear Masculinity

You have trapped a young princess,
Held high in her high tower,
Of male irons and masculine marble,
A monument to never being allowed to cry. The princess
has no mirror,
No sense of who she is because no one notices, Hiding behind
brown eyes and long lashes, Witnessing the outer shell burn.
She will look out her window,
Waiting for the knight to cross the moat
And turn around in an instance
At the sight of her army hair.
She tried on a Queen's dress and shoe
In the kingdom she once resided.
Now that home is no longer her palace,
But a prison inside a prison.
Bars on top of bars,
Brick on top of brick,
This sweet soul who loves to dance and sing Will never push
down hard enough
On the walls that she put up
Before she knew there was hope.
So now I stand as a knight,
Hesitant to cross the moat
To the tower of abandoned desire,
Where my inner princess cries our tears.

Alejandro Barton-Negreiros, ’23

Categories
Fall 2022 Edition Poetry Writing

On spring days like this

I feel like I could conquer the world
set down my sword I never wished to wield
heavy in my weary, calloused hands
and invite my demons to afternoon tea
to talk out our differences like true diplomats over cucumber
and dill cream cheese sandwich squares cut into little shapes
and delicate desserts and the loose leaf tea my mom keeps in the
back of the cabinet reserved to drink only on special occasions
I will ask them if they'd like cream or sugar and we
will wear silly hats and flowery dresses I will forget
my sorrows and soak in the sunshine bleeding through the
windows and into my pores bleeding through my
insecurities and worries bleeding through my floral
armor
onto the pristine, white tablecloth
but the pain will dissipate
we will hold hands
and I will forgive.

Kay Denmead, ’24

Categories
Fall 2022 Edition Poetry Writing

My Precious Shadow

I don’t know what you were or what you are,
But I don't like being followed.
Don’t tell me what to do, I’m real you’re not,
People can see you but they don’t really see you.
They see me stretched out on the concrete,
I see you, mocking me everywhere I go.
When we are alone, you step out from under me,
Climbing the walls and the ceiling.
Maybe I’ve misunderstood you,
Maybe all you want is to be free,
Well, get in line, me too.

Alejandro Barton-Negreiros, ’23

Categories
Fall 2022 Edition Poetry Writing

Ode To Waking Up

the day breaks
a grin like porcelain
hot, with a wind
like laughter blowing

through your long hair
apple blossoms, recklessly
strewn, little poems
little prayers, I whisper

in the morning, afraid to
disturb the glassy waters
of a new day, to step like a
stone, to skip

class, play, wanton
like a child, to braid
dandelion sentences
into a story shaped

like a crown, light
as a kiss on your head
thrown back, perpetual
awe to still be spinning

days like seed pods
falling, gay pollinators
a thousand little stories
tripping up your heels

digging in the soft earth
finding more and more—
hope, days, light,
every creature of love
again uncovered

Claudia Maurino, ’24

Categories
Fall 2022 Edition Poetry Writing

Twenty

Your hair was dark,
eyes a rich brown under sun,
and the breeze sent a chill down my spine.

You held me close to keep me warm,
voice deep, caressing my ears,
as I laid on your shoulder.

Proclaiming nonchalant intentions
that would melt through your mind,
sharp mind, and gentle heart.

A tentatively explored suspicious bud, our beginning of blossoms,
that would eventually flower. 

In the field, by the pond,
skipping the butterflies filling my stomach across the water’s surface.

As I peered into the water cautiously,
I saw my reflection alone,
glowing pink and hot.

The longer I gazed, the deeper the bottom became, tropical fish swam out to greet me,
born from my pink demeanor.

Flooded with a neon embrace,
my cheeks turned warm
and sore from my smiles.

I turned to you, 
eager to share in the pinkness,
but you could not hear me.

Kay Denmead, ’24

Categories
Fall 2022 Edition Poetry Writing

Long Way Home

Bound to this Earth. I’m looking for salvation. 

Death sits in the passenger seat,
The wheel is in my hands as I turn on your lane
I can never forget the home we built.
Its key forever in my pocket and I’ve tucked
Old receipts into leather wallets.
The shadow of a ring imprinted on my finger,

It took a bit to get it off. You forced it on. 

Death stops the car—
He turns. Peering into my face. Eyeing my black adornment.
Chains lay on my legs, link by link,
They clank as I move quietly
I don’t want to anger you, with so much noise. 

I open the door and walk the path, as you stand over my bed
There are roses in your hand. Taken from the vase,
I placed them days ago. A few petals have fallen. Colors faded. 

You grab my hand
As we begin our eternal damnation
A dance that never ends.
You always cue for another song even though
My shoes are worn and sweat trickles
down my neck. I stand there as
Your hot tongue licks it up

And death never stops once.

Death sits in my car. He doesn’t fade away.
The ignition is off, a hum continues
Its melody long forgotten,
Yet always remembered

The car door opens
And Death makes his exit—

Danielle Marrocco, ’25

Categories
Fall 2022 Edition Prose Writing

New Kind of Crystal

Counting the elements on the table, I am ready to begin the ritual of creating my first artificial crystal. These tiny natural formations that have always caught my attention, could finally become my own patented creation. I proceed to grab the sugar jar that reads zucchero Italiano, aluminum foil, and a pen. While writing, I remember that this last item is an Argentine invention—the country where I grew up and live in despite being born in the United States. 

As the ink dyes the sugar, I ponder how the blending of such different ingredients will culminate into replicas of those crystals found close to where I was born in Sequoia National Park, California. Next, I continue shaping the crystal’s base by molding aluminum foil into a shell, and placing the sugary mixture on top. This metallic support is vital, just as our society, citizenship and its needs, are for me.

“Why learn about crystals? I thought you were a social sciences kind of girl,” teachers and peers asked. I reflected upon their questioning but could not find a concrete answer: I guess I am more intricate to decipher. While a part of me was still occupied with daily activities such as writing newspaper-like articles and debating about politics, another part of me was starting its crystallization process. 

When making crystals, I observe my soul’s reflection. Harmonically merged, all the elements building up the crystalline compound, are just like my life. No two crystallized sugar grains are alike. Nonetheless, they all possess the same significance inside the preparation. The same diversity is exhibited amongst my passion for working with and for others: cooking for those in need inside my community, mutating into characters onstage for people to enjoy and identify with, and cleaning collectively Paraná River’s waters hoping to preserve our environment.

Interestingly, this particular crystal has a special color: my biculturalism. I used to feel I was not enough for neither Argentina nor the United States. I was the outsider inside my own stalactite cave. Searching within myself became as arduous as finding resources to accompany my independent, and amateur crystal research. 

However, despite others’ skepticism about both crystallography and my cultural identity, I continued to find myself shedding light on more unexplored topics, questioning what was out of the norm. I did not surrender because I was confident in my ability to transform these feelings of inadequacy. I recognized the beauty behind my biculturalism was born to be shared: teaching the 50 States Song to my peers, improvising Spanish translations for my American friends, and connecting people while building understanding with new perspectives.

My biculturalism is equally as important for me as it is for others: uniting people from diverse backgrounds makes us understand we are all humans, and that our cultural differences are no impediment to building relationships—sharing cultural awareness and acceptance. We all share the same aspirations, dreams, and feelings, regardless of time zone or latitude.

Now, I consider myself my own unique type of crystal. “Bi-union”—bicultural unity— is what I like to call it. Its distinctiveness lies in integrating cultures without the limitation of borders, and constantly sparking eachother’s curiosity about languages and traditions. My individual life perspective has been shaped by American values while incorporating Argentina’s culture. I continue to celebrate my bi-unity by praising Spanglish and my latino heritage with pride and gratefulness while inviting others to discover their inner crystal.

Crafting my own kind of biculturalism is a process as challenging as shaping any crystalline piece to my liking. Today, my goal is to become a communication channel between countries: integrating, motivating, and educating others while making them feel part of the team. I, like any crystal with its superficial impurities and unique brilliance, will forever be a soul in constant construction open to growth and built by the people and new experiences incorporated into my life.

Valentina Ravaioli, ’26

Categories
Fall 2022 Edition Poetry Writing

Einstein’s Crisis {Counterfactually Definite/Factually Indefinite}

I’m listening to you, to all
The things we left unsaid.
To the crackling of the static
And the creaking of your bed.
I’m measuring the distance
Between us. Between now and
 Back then, but the numbers
Come back null, and
 Schrödinger’s Cat is
{Half}-[Dead.]

God does not play dice.
A beam of light splits.
Photons everywhere at once,
Nothing exists.

Tangible until we touch
Sweet until I taste.
Beautiful on paper,
In lieu of time and place.
But when we come together,
Our bodies lose their shape.
Everything reduced to
Electron haze.

Is there something beneath us,
Anything at all?
Some fundamental framework
To catch us if we fall?
If we had closed our eyes,
Together, last Summer,
Would time itself have stalled?

{God does not exist}                   [But God does not play dice.]
{And nothing’s set in stone.}               [A blood vessel bursts.]
{Our atoms are entangled, love,}         [The pressure is too much,]
{I’ll see you back at home.}            [And out everything spurts.]

Zachary Joseph, ’26

Categories
Fall 2022 Edition Poetry Writing

SIGHTLESS, FLIGHTLESS

Our fights will never be fair ones,
my darling. I am but a swift white
bird, a tongueless bird, who still,
against the rest of it, sings for you.

If you love me, you must also love
the war within. And the blood around
my mouth. Can you hear the church
bells beneath the graveyard dirt?

Die sideways. Die halfway. Tell me,
again, that I will not ruin this.

Tell me, again, that these metaphors
are tired. It is time to rest my wings.
Sacrifice me to the sky. Please, baby,
please, just let me have one more song.

Mia Vittimberga, ’26

Categories
Fall 2022 Edition Prose Writing

Rock Buddy

This brings back so many memories.

The lighthouse, which hasn’t aged throughout my countless years here, casts its heavenly beams to the endless ocean in front of me. Besides this lighthouse lay a ring of rocks of various shapes and sizes that collide with the incoming tide, creating an almost rhythmic and soothing thunderclap that sends salt water flying to whoever lay beside it.

That salt water, the scent, the feeling of it on my face, sends me back to a time where the rocks I sat beside felt a little more nostalgic.

After sitting on a particular rock in this ring, facing the now darkened ocean occasionally lit up by the flashes of the lighthouse for what feels like a few minutes now, I hear someone begin to shuffle towards me.

A little boy, bearing a remarkable resemblance to my little brother from years before, scales the rocks and sits beside me.

“What are you doing?” the boy says to me in a very slow and cold cadence.

“I’m sorry am I disturbing you?” 

“No, I was just wondering what you were doing.”

“I just wanted to sit here for a minute.”

A brief silence soon follows. The boy flickers in and out of the flashes between the lighthouse and the darkness beyond him.

“You know I’m going away very soon, and I grew up here practically my whole life, and I have so many good memories here. I just wanted to sit here for a moment and just take stuff in, you know?”

The boy continues to look at the sea. “I love climbing the rocks.”

“Oh definitely, I love it too. Me and my brother used to pretend we were ninjas and bounce off the rocks and stuff, but this rock in particular I always liked.”

“That’s good to know.”

I feel tears well up in my eyes and look away from the boy.

“He uh… he died a little bit ago. And this was usually the spot where we hung out for a bit. I heard a folk tale that when you sit here at a particular time and whatnot you might get to see a spirit. Hopefully it works.”

I force a laugh, and the boy remains silent.

“Kind of sucks cause he had quite the life ahead of him.”

My voice begins to break, and my tears begin to drip.

“I just want to see my little rock buddy again.”

The boy says nothing, his gaze staring out into the great beyond.

“I’m sorry, I know I’m disturbing you but it just feels good to get that off my chest. I’m sorry.”

I get up and look at the boy again, and he slowly begins to fade into nothingness. The ocean roars once again as salt water sprays against my face.

“Till next time, buddy.”

Paul Kippenberger, ’24

Categories
Fall 2022 Edition Poetry Writing

LOVELESS FOOD

Against myself, I dream. The lonely moon gazes down.
Mary in the elevator, Simon on the roof,
            and who knows where Jesus has gone —
                        probably starting fires in an empty alleyway,
                                    the beautiful lunatic…
Every day, my friends find new profanities to worship.
            Through mouthfuls of twilights
                        we tell each other we can’t keep breathing.
            Still, I lock our windows. The lights stay on.
                                    Most swords are double-edged, anyway,
                        you say, jaw cutting through the neon air
                                    like a battle cry, an untuned guitar, a ladder to heaven, a hymnal
            Across the hall, Judas is jerking off
                        I think I’m getting sicker
                                    as my teeth strangle another lump of smoke-soaked air
                       I ask the untilled earth for a secret, any secret.
— When I am gone, who will water the roses above my grave?

Mia Vittimberga, ’26

Categories
Fall 2022 Edition Poetry Writing

Art and Love

Many ask how things like art and love can blossom in such a hardened, pain riddled, bloodied world.

The artists and lovers in the world can count the ways to cause either flower to blossom in response to the critics going through life like hard shells coloring everything to be black, white, and dull.

One for the money, paid in exchange for pain and metallic flavored blood. Often as the result of the loss of one’s Innocence but stimulated by stubborn rooted spite.

Two for the honey flavored love, still pouring out of vacant hearts still broken years after the end of the rendezvous seasoned affair but revived to run on naive colored hope and the stubborn belief that true love is the light of life.

Three for the emboldened award of fame you get, often given after you’ve worked yourself bloody to the bone hurling yourself towards the finish line after running on hardening stubborn spite and stimulating hope.

Four for the painful price you pay, the pricetag being your sanity and peace of mind, often the two being the most vital tools when sacrificing sleep, spending hours in the early A.M curating the perfect piece of art or crying over a broken heart that was hit by Cupid’s arrow.

Five is for the hours spent perfecting one’s craft of artistic talent, spending forever looking for the smallest cracked imperfection in their piece of art.

Six is for art in love as so many lovers look for the smallest imperfections in fear of the impending hurt and pain that would come as the result of being blindsided from any crack of wrong flung at any two people blinded by love.

Such in life so in art and love. The two shall forever be intertwined as no art is made without love and the story of love itself is seen as a work of art.

Hope Jacobs

Categories
Fall 2022 Edition Poetry Writing

Why I Am Not a Biker (After Mary Ruefle)

Because I put my feet down on asphalt
when I want to brake. The downhill behind our Marshfield home
a portal to a daymare of mine
where my Achilles heel is sliced
by a rusty chain and paternal
disappointment.

Because my sister is a natural,
a real Eddy Merckx with a puff ponytail.
No tan hands on the bars, confidence abundant
to pedal up to the lone cloud
nauseatingly high in the Huntington Beach summer sky.
My Scooby Doo push pop—I get that every time—
is pooling around the hairbands that live on my wrist, just in case,
I hide under a beach umbrella because I have learned to fear
sunburn since I was five.

Because the streets of Fisherman’s Wharf
are a daredevil’s red carpet.
Evil does not live inside drivers with eyes on the top of their heads;
I do.
Who am I when I lay on the sizzling pavement, staring
at Coit Tower and switching with frequency from spotted black to burning white?
Who am I when my hands cage my wail as my eyes have returned
to a spot above my nose to look upon a half-woman, half-aquamarine metal
tangle of a person for the very first time?
To avoid becoming both, I decide to be neither.
Until I am 31, late to every doctor’s appointment, no groceries in my refrigerator
because my father is gone, my mother still works, and my sister is postpartum
and advised not to drive until next Wednesday.

Because my gut controls my brain,
who commands my lungs, who become the twin overlords
of my legs and delicate inner workings of my ears.
Then, I must think of my right-sided Eustachian tube
who has ruptured countlessly before with the wheeze of a sad balloon.
I must think of how I rearrange anatomy to explain my chronically bad balance.

My gut, dear obstacle, mixing your modern acid
anxiety with my primordial instinct to stay rooted to the ground,
to never try and fly because flounder is a monster worse than any
Saber-toothed tiger.
Because, you see, if humanity depended on me
to crawl out of the water with a curiosity so incurable
not even death by the laser Sun or claws of some flying reptile scared me away,
we would still be fish.

Tori Ingram, ’24