By Juliana Ward “BLACK DEATH SPECTACLE” reads the back of protester Parker Bright’s t-shirt as he stands in front of the controversial painting Open Casket by white artist Dana Schutz at the 2017 Whitney Biennial. Conversations of cultural appropriation and
The Singularity of Nature in the Vision of Terry Winters
By Stephanie Choi The world of artistic expression often contrasts the idea of scientific description: The former is subjective and vague, often manifested in loose brushwork with plenty of room for imagination and interpretation. The latter is rational and precise,
The Seamless Web: Drawing and Gender in the Work of Isabel Bishop
By Maggie North Introduction Isabel Bishop (American, 1902-1988) studied graphic arts at the School of Applied Design for Women before taking up painting at an artists’ colony in Woodstock, New York in the summer of 1919. Today, she is
Xu Wenhua 徐文华: Serving Art for the People
By Nicholas P. Fernacz Xu Wenhua 徐文华, a Chinese artist and poster maker not well known in the United States, was born in Shanghai in 1941. This paper attempts to historicize one of Xu Wenhua’s works in the
Nancy Spero and the “Carnivalesque”
By Caitlin Green The grace of their bodies confronts these political obscenities. -Nancy Spero [1] Nancy Spero’s The Acrobats (Fig. 1) of 1990 is a drawing installation comprised of seven vertical panels of paper. The first five panels consist of repetitive
Calligraphy as a Protective Screen
By Sofia Pitouli “Purity of writing is purity of the soul” (طهارة الكتابة هي نقاء الروح.). So states an old Arabic saying that points to the importance of writing, and especially of beautiful writing, in Islamic culture.[1] Under the third
Drawing in Three Dimensions
By Katie Tumang Historically, drawing has been used as a preliminary medium for works such as paintings and sculptures and was rarely acknowledged as art in its own right. Drawing is therefore intrinsically connected to sculpture as a two-dimensional representation
Laylah Ali: Drawing Power, Play, and Violence
By Charlotte Seaman Contemporary artist Laylah Ali uses drawing in a distinct way, to depict scenes that are subtly less narrative, less violent, and more playful than those in her paintings. In this essay I will primarily discuss Ali’s 1998
Visual Systems Made Permanent
By Matt Stec Systems for drawing have been a useful tool for artists in every historical art movement. Mark-making strategies, such as cross-hatching, or hatching, have been in place for hundreds of years and still continue to be used by
Drawing in Thread
By Ismene Markogiannakis For centuries, drawing has been associated with two dimensional surfaces, and standard drawing utensils. Artists use drawing to translate their ideas and inspiration on paper, and eventually develop them into a finished work of art. At the
Sexual Expression in Cocteau and Schiele
By Khai Vuong Representations of the female nude in the European artistic tradition were typically made by male artists who put women on display for a presumed male viewer. The female nude was transformed into an erotic, yet passive, figure
Line and the Illusion of Life
by Melanie A. Griffith There are many types of art in this world, ranging from traditional paintings, prints, sculptures, and ceramics to the more radical concepts of the abstract. Within the walls of a museum, these items are collected, stored,