Author Archives: cmrei0

A Look at Desensitization and The Building of Mediums

I often find myself sort of frustrated with humans progressing further and further into the digital realm. In many respects, it is accommodating and efficient. Things are more “on time” than they have ever been, with thousands if not millions of people working together across the world both simultaneously and harmoniously. I can Skype my brother ,who I don’t see very often, any time I wish. I always know how my friends are doing, and that is an immense comfort in many ways. Maps, books, music, art, news, games…. it’s always with me, just one touch away from the entire bank of human knowledge and activity. And it frightens me a bit.

These days every sort of interaction is being replaced with a digital equivalent, essentially desensitizing the average person. It distills true communication by replacing it with the immediacy of communication. I can give countless examples, of which I’ll share a few. It is very often these days that I will be friends with someone on Facebook before I am actually friends with them. Sure we met at a party, had some laughs, maybe a pertinent conversation, but because of Facebook now we are friends before we have really established too much about one another. And in a way, it gives me this feeling , like “now that we are friends on Facebook we are official friends, and don’t really have to work at becoming closer friends because everyone can see that we are friends, so what’s the point?”. It kinda adds this weird aspect that making friends is about collecting people on a list. It’s like everything on the internet is making us want to have things instantly. Friends instantly via Facebook. Business associates via Linkedin. Have a book delivered directly to my house the next day through Amazon. It is all about speedy completion of human goals that once took time or understanding to create. In this aspect it creates a lack effort. We are slowly trading over more and more aspects of our lives to mouse clicking in front of screens. I think this sort of thing leads to abuse of the environment, as well as one another. It detaches us from a physical and personal space and brings us into a digital one that lacks intimacy in my opinion.

Not only does this damage our human relationships, but it also hurts small businesses in many ways. Amazon is essentially becoming the new marketplace. I searched and you can order broccoli off Amazon. It’s absurd. We can essentially operate completely within our own private sphere and be average individuals. Food, entertainment, just about any sort of product,  even friends are all becoming online conceptions. If one were to work out of his/her home as well, they could be a total shut in while feeling the whole time that they were a part of everything. I know this may seem like an appealing idea to some, but I think it takes away from everything that makes us human if we slowly morph into these control systems for computers. If I’m waiting outside a class, everyone is staring at their phones. Like twenty people all on Facebook answering friend requests instead of talking to the person next to them. It almost makes social interaction look awkward when everyone is so absorbed with digital involvement. I don’t think technology is the devil, I just think that we are becoming far too obsessed with it. Technology is wonderful in the medicinal world as well as dozens of other fields. I just don’t think it should replace small businesses, social interactions and the overall focus of the human race. Personally, I say we should all unplug a little.

The Consuming Fire: Media’s Impermanence

It seems that in today’s society, we blow through entertainment with a speed which barely allows for things like webseries, memes, and even television shows to hardly even be considered more than fads. The modern media user is so consumed with what is trending, that when popular shows end they are forgotten as fast as last Sunday’s lunch. I know this sounds sort of contradictory. Aren’t we living in the Golden Age of Television? Between HBO, Showtime, Starz and Netflix, we have seen some of the greatest stories ever written for screenplay come out in more or less the last decade. But it is the sheer amount of shows coming out, which continually raise the bar, that cause this ever seeking desire from the average consumer for a better show. Right now, everyone has their eyes on Game of Thrones and House of Cards. But previously it was Breaking Bad, and before that it was The Sopranos and The Wire. Not to mention True Detective has made a serious impact on the media scene recently as well. It is like there are so many options that no one is quite sure what to pay the most attention to, and there is the omnipresent looming promise of greater shows on the horizon.

For instance, let’s take Breaking Bad. Everyone was literally obsessed with this show. It broke ratings, and even while being a program produced through AMC, a basic cable show, it beat out True Detective and Game of Thrones in several categories at the Golden Globes. Both those shows had established actors in it, while Breaking Bad had the dad from Malcolm in the Middle and Aaron Paul, who was basically doing commercials and small time gigs up until that point. But after the show ended in September of 2013 (yes, there were all sorts of theories about the ending the massaged heart-broken fans, which kept Breaking Bad in our minds for a month or two after), basically the talk about the show ended as well. Everyone turned to the new season of Game Of Thrones, set to come out that spring. New Media has created such a hunger within the modern consumer that there seems to be a lack of permanence to the products it creates.

Another example would be the images used for memes. These days, my news feed on Facebook is littered with memes, due to a friend of mine feeling obligated to only post memes all day long (this has actually gathered him a rather large following, all his posts get twenty likes at least). However the memes that are posted are always different each time, some even coming in the form of videos. I was introduced to the meme as a few select images that got rotated around with new text on them to satirize a trending topic. There was the Willy Wonka sarcastic meme, the Good Guy Brad meme and the Bad Guy Carl meme (I don’t remember the exact names that went with the images, but I’m sure you know what I’m talking about) and a few others. But now everyday I see a new meme. Particularly within black culture memes. Most of the memes feature an image of a black person with text, where before hand they were usually focusing around images of white people. This probably has to do with the immense popularity of black culture’s presence in New Media, especially in Vines, Memes, and Webseries. There is so much activity going on at once, that hardly anything gets the spotlight for very long. A meme’s popularity will last a month, while a television series might last as long as its seasons go for. Webseries last as long as they can maintain interesting content given their lack of funding.

The point is that the abundance of material coming through the lens of New Media is creating a vast consumerism that truly cannot be satisfied. We, the consumers, are beginning to think that the next show will have to jump the shark to beat out the last show. This creates an insatiable intake of media that will only grow more rampant as producers attempt to satisfy our thirsty brains.

The Gang of Four: Robber Barons Reborn?

This is week has sparked the conversation of whether or not the “Gang of Four” are monopolies, or perhaps, a singular monopoly that works in tandem with one another. This also brings up the question of whether or not these companies are to be trusted at all. We all blindly use them of course, but will it ultimately be something that we regret down the road?

The “Age of Platforms” reading seeks to define and separate the Gang of Four from monopolies by comparing them to the Robber Barons. The definition of a monopoly is “exclusive ownership through legal privilege, command of supply, or concerted action”. This is done by control of the market (horizontal integration) or control of production (vertical integration). The Robber Barons, such as John D. Rockefeller, were the first men to exploit these critical aspects of the economy, and use vicious and persistent methods of maintaining control by choking out the competition. Is the Gang of Four the Robber Barons reborn?

The reading says no, that Platforms promote collaboration, provide variety, and don’t force the customer to use them. But I see some issues with this analysis. We need to address conformity. When people look to use social media, the first place to look is Facebook. Sure there are other options, like MySpace, Twitter and Linked-In, but none have even close to as many users as Facebook (Facebook has 900,000,000 users, compared to second most popular, Twitter, with 310,000,000). More or less you feel obligated to use Facebook. You use social media in order to maintain contact with your friends. So what’s the point of using MySpace if all your friends are on Facebook? It defeats the purpose.

This is not so much an issue with Apple products, as the Android is a serious competitor, both being equally used by the populace. But once again, we see an extraordinarily limited set of options. People want what other people have, iPhones and Androids are what is in right now. Most customers will only be satisfied with one of those two. And who owns them? Apple and Google, two of the Gang of Four. And this is because Facebook and Amazon don’t have a vested interest in phones quite yet, and Apple and Google products are commonly the items used to access their material.

If you want to buy something online, it is almost always going to be through Amazon. The reading tries to defend against this by saying that anyone can start an online store to sell their product, but how long is it before Amazon seeks to add them to their warehouse. The only case in which a vendor will really maintain their wares through their site is highly original work which can’t be mass produced. Art, more or less. My mother makes furniture out of bittersweet vines that she sells through her website. Amazon will never approach her (besides the fact that her business is very small) because her works are very individual, and frankly are of no interest for Amazon due to its methods.

I say the Gang of Four do have a sort of monopoly on their said markets, for two reasons. One is the fact that they have created the conformist mindset. People gravitate towards these companies due to the immense popularity of social media, online shopping, product allegiance, and the Internet in general, because these companies dominate the four corners of the online world. People get Apple products to search for items on Google that they heard about on Facebook that they ultimately buy through Amazon. In this way, they are almost one singular monopoly that pinballs internet users through their platforms while picking their wallets and their time.

Secondly, these companies definitely lobby and buy out smaller options that they see as viable planks to continue each of their network effects. This may not be as cutthroat as the Robber Barons, who were the single controllers of their products/markets, but the world is a much bigger and more advanced place today than it was back then. Facebook and Google have probably taken out far more companies than the Robber Barons ever did, because there are countless more companies being started up today compared to back then. Overall, I say the Robber Barons is a dated comparison to be using against the Gang of Four. The times are completely different, but just like the Robber Barons, the Gang of Four is staying on top.

Keyterms: Network Effect

A Network Effect occurs when separate entities conglomerate to provide for a much larger, singular purpose that involves several individual aspects that essentially become planks of the platform. An example of this provided in the reading would be the creation of the highway system, a physical platform, due to the increase of car sales. This ultimately leads to the transportation of products being done through 18-wheelers and mail trucks, a result of the networking created by mass car purchasing.

The Network Effect also allows for platforms to become exponentially more popular as they become more popular. It vastly increases their rates. This is why Facebook added their second million users with far more ease than their first million. In a way, it creates a standard which is the new jumping point for the platform as they increase their networking by adding more planks.

Keyterms: Planks

A plank is a product, service, or community that integrates with the existing platform. In Amazon’s case, its planks would be the community of vendors and consumers, along with the actual service of selling products, as well as the products themselves.

Keyterms: Platform

Platforms fall into one of three categories. A “physical” platform can be a train station, airport, or highway. Basically it is a physical means of allowing people to connect in person.

A “technological” platform would include cell phones, landlines and the Internet. It is a medium through which people can connect without their actual presence being required.

Finally, a “media” platform comes in the form of radio, television, or newspapers. It provides for viewers/readers to consume content presented by advertisers, entertainment groups, etc. This can also include politicians, and the issues which they stand for or against. A politician’s “platform” is basically their campaign.

Amazon would be considered a technological platform because it is connecting sellers to buyers via the internet, whether it actually comes from Amazon’s inventory or if Amazon is acting as a middle man between private/public sellers seeking a means to showcase their wares. Amazon would also be considered a platform because it incorporates “planks”.

The specific “planks” being the service of selling items, the items themselves, and the consumers and vendors respectively. Not only this, but Amazon is connected to other platforms, such as Google, Facebook, and Apple. This is also part of the definition of a platform, is that it works with other platforms to connect its users in a more lucrative and engaging fashion. This creates exponential popularity.

Youtube Playlist – Laughs, Scares and Grooves

I have been using Youtube regularly since I was 15, a freshmen in high school. I think it all started when I was trying to find new music to download, via a YouTube to MP3 site. I was particularly into an artist that goes by the stage name “Flying Lotus”. He has dozens of tracks that are not on albums or eps that you obtain through iTunes, if not hundreds. But, for some reason, they get uploaded to YouTube. I always enjoyed that about this website. Not only is it primarily user driven, it also allows for artists (or “leakers”) to release music in a different area than the regulated sites of iTunes and record label websites. It also is a great way to discover how an audience of dedicated fans will respond to your new material.

Flying-Lotus

 

Most casual listeners will not go beyond the standard methods of obtaining music. I think that, generally speaking, the die-hard fans are the ones who are ready to scour the depths of vinyl stacks and bootleg websites so that they might find that unknown gem of the artist’s library. It is a great method for artists to either test out new tracks on the fans that really matter, or to release old tracks that they enjoyed making and listening to, the ones that didn’t make it on to the ep or album due to the professional process. They can check the number of views and read the comments to gauge its popularity or lack thereof, and if it’s a hit, suddenly they have a new popular track that could go viral and increase their renown. Basically, YouTube is the new “B-Sides” album of every modern artist that is willing to provide their music for free. I say this because it extends far beyond Flying Lotus. I have found countless tracks from many artists that aren’t on iTunes, BitTorrent, or vinyl. It seems to be most popular amongst electronic musicians to use this internet based release form, but it also extends to other genres, especially if someone has a recording of a song that the said band only plays live, or something of the like. Digging through YouTube has yielded many treasures in my time exploring.

My other favorite aspect of YouTube are the “Web Series”. These are usually short, episodic videos that are uploaded by either individuals or corporations, whether they are previously popular or not. The first web series I really got into was “MarbleHornets”, when I was a sophomore in college. For those of you who don’t know, MarbleHornets was originally created by a couple of film school students with a 500$ budget, which they used to shoot the first 26 episodes. I thought I knew what it was like to be scared watching a movie from my experience with “The Shining” and “The Grudge”, to give some perspective. But I have realized that I, in fact, did not know shit. Marble Hornets would release, each week, a video simply titled “Entry #..” with the appropriate number following it. These videos, usually no more than nine minutes, would scare the living hell out of me, especially alone in my dorm room with a bowl of far too hot ramen ready to spill on my lap. They essentially did the same thing as “The Blair Witch Project”, with their “recovered footage” sort of premise, which makes it feel all too real. But they also use methods of both sound and film manipulation to accentuate the horror. Every time “The Operator” (notoriously known as Slenderman from the Something Awful forums), we see a brief image of the horrifying figure, followed by the camera going haywire and emitting awful high pitched frequencies, only to snap back to normal footage once the being had left the frame. Scary stuff, let me tell you.

slenderman-11

So I guess what YouTube means to me is that it can provide for a very intimate experience, almost person to person, or perhaps even more importantly, stranger to stranger. When I download that hidden track, I feel closer to the artist. When I share it, I feel like I’m letting someone in on a wonderful secret. When I watch a webseries episode, especially one made from a KickerStarter fund or with a very small budget, I feel like I’m seeing a truly personal and artistic creation that hasn’t yet been contaminated by media. Yes, there are ads, but these support the uploaders. I’m a huge fan of YouTube, and I think it allows for a new and excellent means of connecting people across the globe, who otherwise would never know that the other existed.

Here are my top 15 (beware, the first five are Marble Hornets!):

Reflection#1- Can a meme be a mashup (and vice versa)?

In class this week, we discussed the difference between memes and mashups, and whether or not a meme could be considered a mash up and vice versa. I found this topic interesting as it raises the question of how broad of a term “meme” really is. The exact definition of a meme is “a unit of cultural information that replicates while still remaining whole”. Meanwhile, a mashup is defined as being added to something else, not being made as a whole on its own, and that is a new form of old material. So inherently, these two seem to be far apart from one another. However, I believe that a mash-up could easily be considered a meme.

Memes are most commonly considered to be found in the form of a jpeg with impact text in today’s world. Generally they are satirical, setting up the picture to imply meaning that goes with the joke. Quite often though, we see two pictures, mixed together, where the text of the first picture sets up the punchline for the text in the second picture. The jpegs themselves also support each other in adding to the satire. A good example of this would be a “troll” meme.

13_04c7a3bd867e5394e07fa98f19ed7d1c

I don’t mean using memes as a method of trolling, but rather the memes that include a troll jpeg. This is usually a crudely drawn, sort of sadistically happy face, that delivers some sort of cynical answer to the text above. This is done so that the first jpeg is getting “trolled” by the second jpeg. The important thing to note here is that this is both a meme, and a mashup. It is a mashup, because it is something being added to something else, and it is not whole on its own. It is whole because it is comprised of multiple parts. Also, it is a new form of an old piece of new media. This is because it is taking a jpeg from a previous meme, and adding the troll to create new meaning in the meme.

bathroom-troll-meme

It is a meme because it is both a unit of cultural information that replicates (as people will then use/share this new mashup/meme all over the internet) and it is whole in its new form. Thus the mashup and the meme are one and the same, according to the definitions that we have for them.

So the terms are interchangeable, but they can still be separate from one another in specific cases. For instance, any meme that is not comprised of multiple parts is not a mashup. And some mashups simply don’t replicate, they are just a single creation that isn’t reproduced and spread, but rather appreciated for its singular creativity. Thus there is a Venn Diagram element to memes and mashups, where they have their own territories, but can be found together in certain circumstances. Ultimately, the definition of meme is broad enough so that it encompasses more than what is thought to be the standard meme, allowing for all sorts of media to become memes. Mashups being memes is simply one example.