After six decades as a professional musician Randy Weston remains one of the world’s foremost pianists and composers, a true innovator and visionary. “Weston has the biggest sound of any jazz pianist since Ellington and Monk,” writes Stanley Crouch. In a career that began in the late 1940s, Weston has criss-crossed the globe connecting the African diaspora through sound. “Mr. Weston is a truth seeker who sees a power in music much greater than all of us,” writes The New York Times.
Born in Brooklyn in 1926, Weston’s first recording as a leader came in 1954 on Riverside Records, Randy Weston plays Cole Porter – Cole Porter in a Modern Mood. In the 50’s Weston played around New York with Cecil Payne and Kenny Dorham and wrote many of his best loved tunes, “Saucer Eyes,” “Pam’s Waltz,” “Little Niles,” and, “Hi-Fly”, now all jazz standards.
In the 1960s, Weston’s music prominently incorporated African elements, as in the large-scale suite Uhuru Africa (with poet Langston Hughes) and Highlife: Music From the New African Nations. On both these albums he teamed up with the arranger and his long-time collaborator, Melba Liston. In 1967 Weston traveled throughout Africa with a U.S. cultural delegation, and decided to settle in Morocco, running his African Rhythms Club from 1967 to 1972. For a long stretch he recorded infrequently on smaller record labels, but made quite an impact with the recording The Spirits of Our Ancestors (1992), which contained new, expanded versions of many of his well-known pieces and featured an ensemble including African musicians and North American such as Dizzy Gillespie and Pharoah Sanders.
Randy Weston has made more than 40 albums and performed throughout the world. He has been inducted into the ASCAP “Jazz Wall of Fame,” designated a Jazz Master by the National Endowment of the Arts, and named jazz composer of the year three times by Downbeat magazine. He is the recipient of many other honors and awards, including the French Order of Arts and Letters, the “Black Music Star Award” from the Art Critics and Reviewers Association of Ghana, and a five-night tribute at the Montreal Jazz Festival. In October 2010, Weston will publish his autobiography, African Rhythms: The Autobiography of Randy Weston (Duke University Press).
Randy Weston appears in Amherst as part of “Art & Power in Movement -Rethinking the Black Power and Black Arts Movements”, produced by the W.E.B. Du Bois Department of Afro-American Studies, University of Massachusetts.
What did you think?
wonderful, he created such emotion……….
Randy Weston’s performance began like a smooth and gentle invitation to enter his world. With flawless spontaneity, he took us on an unforgettable and thrilling ride. I felt embraced by his compositions and amazingly unrestrained improvisations. There is no complacency in Mr. Weston’s piano playing, though at this point in his career it might be justified. Thanks, Fine Arts Center, for once again bringing a master to our town.
I loved the way Randy concluded many of his compositions.
Randy Weston was majestic, foreboding, sprightly, lyrical, thunderous, deep as the sea and resolute as a mountain ridge. I loved what he said in between his songs. Before his encore he said to the audience, “You like all these funny notes? Alright, we’re on this journey together.”
A fan from the sixties, I was rewarded. Randy Weston was having a wonderful time in a “magical” moment as he would say. The audience swayed and bobbled, swept along, using fullest dynamics with great bridges connecting his compositions, all the while, his fresh improvisations held the entire hall spellbound. Some “funny notes”.
I especially liked the medley of North African-inspired pieces that included “Blue Moses” and “The Healers,” as well as Ghanian piece at the end.
Not knowing his music, yet hearing so much about him – larger than life – I was taken by surprise by piano playing that was so profficient that it flowed easily and invisibly, as if easy, with no need for technical fireworks in order to impress – just deeply-played music.
Amazingly simple and sophisticated!